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		<title>Desecration of murtis at Kolahala Mandir, Cunupia, TRINIDAD</title>
		<link>http://hinducouncilofthecaribbean.wordpress.com/2008/08/09/desecration-of-murtis-at-kolahala-mandir-cunupia-trinidad/</link>
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		<pubDate>Sat, 09 Aug 2008 01:38:44 +0000</pubDate>
		<dc:creator>deosaranbisnath</dc:creator>
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		<category><![CDATA[deosaran bisnath caribbean hindus council]]></category>

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		<description><![CDATA[&#8211; On Fri, 8/8/08, Deoroop Teemal &#60;dteemal@gmail.com&#62; wrote: From: Deoroop Teemal &#60;dteemal@gmail.com&#62; Subject: Press Release &#8211; Kolahala Mandir Date: Friday, August 8, 2008, 5:39 AM Dear Sirs, We attach for immediate press release a statement from the following Hindu organisations regarding the desecration of murtis at the Kolahala Mandir, Chin Chin Road, Cunupia. SWAHA Incorporated [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=hinducouncilofthecaribbean.wordpress.com&amp;blog=2426476&amp;post=10&amp;subd=hinducouncilofthecaribbean&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>&#8211; On <strong>Fri, 8/8/08, Deoroop Teemal <em>&lt;dteemal@gmail.com&gt;</em></strong> wrote:<br />
From: Deoroop Teemal &lt;dteemal@gmail.com&gt;<br />
Subject: Press Release &#8211; Kolahala Mandir</p>
<p>Date: Friday, August 8, 2008, 5:39 AM</p>
<div id="yiv1962698041">
<div>Dear Sirs,</div>
<div></div>
<div>We attach for immediate press release a statement from the following Hindu organisations regarding the desecration of murtis at the Kolahala Mandir, Chin Chin Road, Cunupia.</div>
<div></div>
<div>
<p><strong><span style="font-family:Times New Roman;"><span style="font-size:x-small;">SWAHA Incorporated – Pt. Dr. Prakash Persad, Director</span></span></strong></p>
<p><strong><span style="font-family:Times New Roman;"><span style="font-size:x-small;">Hindu Prachaar Kendra – Ravindranath Maharaj, President</span></span></strong></p>
<p><strong><span style="font-family:Times New Roman;"><span style="font-size:x-small;">Chinmaya Mission of Trinidad &amp; Tobago – Swami Prakashanand, Spiritual Head</span></span></strong></p>
<p><strong><span style="font-family:Times New Roman;"><span style="font-size:x-small;">Hindu Students Council – Reena Teelucksingh, President</span></span></strong></p>
<p><strong><span style="font-family:Times New Roman;font-size:x-small;">Hindu Swayamsevak Sangh – Deoroop Teemal, President</span></strong></p>
<p><span style="font-family:Times New Roman;font-size:x-small;">We look forward to your cooperation.</span></p>
<p><span style="font-family:Times New Roman;font-size:x-small;">With Thanks</span></p>
<p><span style="font-family:Times New Roman;font-size:x-small;">Deoroop Teemal</span></div>
</div>
<p><img src="/DOCUME%7E1/ruben/LOCALS%7E1/Temp/moz-screenshot-4.jpg" alt="" />FOR IMMEDIATE PRESS RELEASE<br />
SWAHA Incorporated – Pt. Dr. Prakash Persad, Director<br />
Hindu Prachaar Kendra – Ravindranath Maharaj, President<br />
Chinmaya Mission of Trinidad &amp; Tobago – Swami Prakashanand, Spiritual Head<br />
Hindu Students Council – Reena Teelucksingh, President<br />
Hindu Swayamsevak Sangh – Deoroop Teemal, President<br />
HINDU ORGANISATIONS CONDEMN DESECRATION OF MURTIS AT<br />
KOLAHAL MANDIR<br />
We, the above named Hindu organisations, strongly condemn the action of the two individuals<br />
who desecrated the murtis at the Kolahal Shiva Mandir, Chin Chin Road, Cunupia on Monday 4th<br />
August 2008.In addition, the ranting of these individuals after they had desecrated the murtis,<br />
reeks of a religious intolerance that definitely has no place in the multi-religious fabric of our<br />
nation and our enshrined Constitution.<br />
It is our understanding that the two individuals attired in Muslim garb spent several hours in the<br />
adjacent Chin Chin Road Masjid before committing their despicable act. However it was<br />
confirmed by officials of the masjid that the persons were not any of their known members. The<br />
members of the Kolahal Mandir have also confirmed that they have had harmonious relationships<br />
with the masjid over the years. Our opinion thus far is that this act was not instigated nor<br />
organized by the Chin Chin Road Masjid or by any other Muslim organisation. The<br />
circumstances surrounding the act however place a responsibility on their shoulders to provide all<br />
assistance and cooperation to the respective authorities in apprehending the perpetrators of this<br />
injustice.<br />
We see this atrocious act as having the potential to destroy the peaceful co-existence that persons<br />
of different religions enjoy in our country, particularly since it is not the first time that this has<br />
occurred. About the same time last year, the murtis in the Temple in Sea at Waterloo were also<br />
desecrated. The police were unable to apprehend anyone for this act. We are of the firm view that<br />
the resolution of this situation is in the national interest and thus warrants the direct attention of<br />
the Commissioner of Police to ensure that investigations are conducted forthwith and the<br />
perpetrators brought to justice. We also call on the Minister of National Security to intervene as<br />
necessary to ensure the matter is dealt with expeditiously.<br />
We also call on all Hindus not to allow this act of desecration to affect the harmonious<br />
relationship that we have developed with our Muslim brothers and sisters ever since our<br />
forefathers came to this country.<br />
CONTACT PERSON<br />
DEOROOP TEEMAL<br />
President , Hindu Swayamsevak Sangh<br />
663 2955 (home); 678 6462 (mobile); 662 6243 (work); e-mail: dteemal@gmail.com</p>
<p>=======</p>
<p>Deosaran Bisnath August 8, 2008</p>
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		<title>HINDUS IN CEDROS, TRINIDAD</title>
		<link>http://hinducouncilofthecaribbean.wordpress.com/2008/05/03/hindus-in-cedros-trinidad/</link>
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		<pubDate>Sat, 03 May 2008 18:15:57 +0000</pubDate>
		<dc:creator>deosaranbisnath</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[OFFERINGS TO MA DURGA: These Hindu women gather at the foot of the mud volcano as they make offerings to Ma Durga, the Hindu deity said to reside in the earth      PRAYER TIME: Hindu devotees pray during yesterday&#8217;s &#8220;puja&#8221; at the Fullerton mud volcano in Cedros.      A pool of bubbling mud. [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=hinducouncilofthecaribbean.wordpress.com&amp;blog=2426476&amp;post=9&amp;subd=hinducouncilofthecaribbean&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<div><img style="border:black 1px solid;" src="http://www.newsday.co.tt/galeria/2008-04-28-7-1_A_volcano_1._27-4-08.jpg" border="0" alt="These Hindu women gather at the foot of the mud volcano as they make offerings to Ma Durga, the Hindu deity said to reside in the earth" width="500" height="333" /><br />
OFFERINGS TO MA DURGA: These Hindu women gather at the foot of the mud volcano as they make offerings to Ma Durga, the Hindu deity said to reside in the earth</div>
<div> </div>
<div> </div>
<div><img style="border:black 1px solid;" src="http://www.newsday.co.tt/galeria/2008-04-28-7-2_A_volcano_5._27-4-08.jpg" border="0" alt="Hindu devotees pray during  yesterday's &quot;puja&quot; at the Fullerton mud volcano in Cedros." width="333" height="500" /><br />
<a title="These Hindu women gather at the foot of the mud volcano as they make offerings to Ma Durga, the Hindu deity said to reside in the earth" rel="nofollow" href="http://www.newsday.co.tt/day/1,18484.html#foto" target="_blank"><strong> </strong></a>PRAYER TIME: Hindu devotees pray during yesterday&#8217;s &#8220;puja&#8221; at the Fullerton mud volcano in Cedros.</div>
<div> </div>
<div> </div>
<div><img style="border:black 1px solid;" src="http://www.newsday.co.tt/galeria/2008-04-28-7-3_A_volcano_3._27-4-08.jpg" border="0" alt="A pool of bubbling mud. " width="500" height="333" /><br />
<a title="Hindu devotees pray during  yesterday's &quot;puja&quot; at the Fullerton mud volcano in Cedros." rel="nofollow" href="http://www.newsday.co.tt/day/1,18485.html#foto" target="_blank"><strong> </strong></a>A pool of bubbling mud.</div>
<div> </div>
<div> </div>
<div class="article"><span class="bigtitle">‘Puja’ at mud volcano</span></p>
<div style="margin-bottom:10px;">By STACY MOORE Monday, April 28 2008</div>
<div style="float:right;padding-bottom:2px;margin-left:10px;width:202px;text-align:center;">
<div id="click" style="height:15px;"><span style="font-size:x-small;">click on pic to zoom in</span></div>
<div id="div_art_foto" style="margin-top:10px;margin-bottom:10px;height:200px;"><a rel="nofollow" href="http://www.newsday.co.tt/day/1,18484.html#foto" target="_blank"><img style="border:black 1px solid;" src="http://www.newsday.co.tt/galeria/mini/2008-04-28-7-1_A_volcano_1._27-4-08.jpg" border="0" alt="These Hindu women gather at the foot of the mud volcano as they make offerings to Ma Durga, the Hindu deity said to reside in t..." /></a></div>
<div id="art_foto_desc" style="margin-left:10px;width:180px;height:40px;border:#e9e9e9 1px solid;"><span class="mini">OFFERINGS TO MA DURGA: These Hindu women gather at the foot of the mud volcano as they make offerings to Ma Durga, the Hindu deity said to reside in t&#8230;</span></div>
<div style="margin-left:10px;width:180px;"><a rel="nofollow">« prev photo</a> <a rel="nofollow">next photo »</a></div>
</div>
<div class="article" style="margin-bottom:15px;"><strong>DEVOUT Hindus staged a “puja” (prayer) at the mud volcano in Cedros calling on The Almighty to close the rumbling volcano which nearby residents fear could erupt at anytime.</strong></div>
<div class="article">The “puja” was arranged after residents reported an increase in activity at the usually dormant mud volcano. Devotees said they performed the puja at the mouth of the volcano in the hope that the “devil” in the earth’s crust will not explode.</p>
<p>Villagers who live on the perimeter of the volcano at <span class="yshortcuts" style="cursor:pointer;border-bottom:#0066cc 1px dashed;">Colombia</span> Estate, Fullerton Village, said that for the past few days, hot mud has been flowing constantly as the earth trembles near the volcano.</p>
<p>Situated approximately four miles into heavily forested area the volcano’s recent activities have left villagers fearing a major eruption. To allay these fears, a devotee said, they went to the site and together with a pundit, offered prayers and even threw flowers and fruits in a solemn act of “feeding the monster within the bowels of the earth’s crust”.</p>
<p>Pundit Ganeshdeth Maharaj of the Fullerton Hindu Temple, told worshippers that if they did not offer “gifts” to Mother Durga whose place of abode is in the bowels of the earth, the volcano would blow off its top and mud will flow in great volume, destroying everything in sight.</p>
<p>The mud volcano is among some 20 dormant ones in south Trinidad. There has never been an eruption of the <span class="yshortcuts" style="cursor:pointer;border-bottom:#0066cc 1px dashed;">Colombia</span> Estate volcano in recorded history. The only such eruption of a mud volcano was at the Piparo mud volcano and this occurred in 1996. It destroyed 15 homes. Yesterday’s puja began with erection of an altar with devotees using the still soft mud of a recent flow. Men, women and children dressed in traditional East Indian wear offered flowers, fruits, leaves, grains and water to the Hindu <span class="yshortcuts" style="cursor:pointer;border-bottom:#0066cc 1px dashed;">goddess Durga</span>.</p>
<p>Nine women were chosen from among the devotees to carry out the offerings at the volcano’s mouth while pundit Maharaj chanted prayers. As he prayed, women and children formed a circle around the volcano’s mouth and holding each other’s shoulder, they walked around the volcano in a ceremonial act.</p>
<p>Yesterday’s ceremony ended with the planting of a flag in the hole of the bubbling volcano. Scattered about the plateau are mounds of other smaller cones which spewed hot mud every few minutes. Villagers said that when there is a steady overflow, the volcanic mud seeped into their backyard gardens.</p>
<p>Villager Dookie Sookoo who lives nearest to the volcano said she has grown accustomed to the rumblings and was grateful for yesterday’s “puja”. “I mean, that has been there for so many years, but I know that once the prayers are performed, nothing will harm us,” she said.</p>
<p>Also present at the puja ceremony were representatives from the Indian High Commissioner’s Office in Port-of-Spain.</p></div>
<div class="article">Deosaran Bisnath</div>
<div class="article">May 4, 2008</div>
</div>
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			<media:title type="html">These Hindu women gather at the foot of the mud volcano as they make offerings to Ma Durga, the Hindu deity said to reside in the earth</media:title>
		</media:content>

		<media:content url="http://www.newsday.co.tt/galeria/2008-04-28-7-2_A_volcano_5._27-4-08.jpg" medium="image">
			<media:title type="html">Hindu devotees pray during  yesterday's &#34;puja&#34; at the Fullerton mud volcano in Cedros.</media:title>
		</media:content>

		<media:content url="http://www.newsday.co.tt/galeria/2008-04-28-7-3_A_volcano_3._27-4-08.jpg" medium="image">
			<media:title type="html">A pool of bubbling mud. </media:title>
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			<media:title type="html">These Hindu women gather at the foot of the mud volcano as they make offerings to Ma Durga, the Hindu deity said to reside in t...</media:title>
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		<title>HINDU FESTIVALS SOCIETY Inauguration, April 17th 2008, TRINIDAD</title>
		<link>http://hinducouncilofthecaribbean.wordpress.com/2008/04/20/hindu-festivals-society-inauguration-april-17th-2008-trinidad/</link>
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		<pubDate>Sun, 20 Apr 2008 20:12:51 +0000</pubDate>
		<dc:creator>deosaranbisnath</dc:creator>
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		<description><![CDATA[HINDU FESTIVALS SOCIETY, Inaugurated April 17th, 2008 The HINDU FESTIVALS SOCIETY was inaugurated on April 17th, 2008 at Santa Flora, TRINIDAD. Executive of HINDU FESTIVALS SOCIETY, with President Shri Thirbhawon Seegobin at the podium, delivering the Inauguration Address. President Shri Thirbhawon Seegobin at the podium, delivering the Inauguration Address. Mr. Deosaran Bisnath, President of GOPIO [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=hinducouncilofthecaribbean.wordpress.com&amp;blog=2426476&amp;post=8&amp;subd=hinducouncilofthecaribbean&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<h3 class="post-title entry-title"><a href="http://deosaranbisnath.blogspot.com/2008/04/hindu-festivals-society-inaugurated.html">HINDU FESTIVALS SOCIETY, Inaugurated April 17th, 2008</a></h3>
<div class="post-body entry-content">
<p><strong>The HINDU FESTIVALS SOCIETY was inaugurated on April 17th, 2008 at<br />
Santa Flora, TRINIDAD.</strong></p>
<p><a href="http://bp1.blogger.com/_Pjy_iiNvR28/SAubNMrsf6I/AAAAAAAAAG4/SCIBoFLgQ7o/s1600-h/Hindu+Festivals+Society+April+2008+021.jpg"><img style="display:block;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://bp1.blogger.com/_Pjy_iiNvR28/SAubNMrsf6I/AAAAAAAAAG4/SCIBoFLgQ7o/s400/Hindu+Festivals+Society+April+2008+021.jpg" border="0" alt="" /></a></p>
<p><strong>Executive of HINDU FESTIVALS SOCIETY, with President <em>Shri Thirbhawon Seegobin</em> at the podium, delivering the Inauguration Address.</strong></p>
<p><a href="http://bp3.blogger.com/_Pjy_iiNvR28/SAuaIsrsf4I/AAAAAAAAAGo/sgruZHwx2H4/s1600-h/Hindu+Festivals+Society+April+2008+039.jpg"><img style="display:block;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://bp3.blogger.com/_Pjy_iiNvR28/SAuaIsrsf4I/AAAAAAAAAGo/sgruZHwx2H4/s400/Hindu+Festivals+Society+April+2008+039.jpg" border="0" alt="" /></a></p>
<p><a href="http://bp0.blogger.com/_Pjy_iiNvR28/SAufD8rsf9I/AAAAAAAAAHQ/6fu6J6HaRxo/s1600-h/Hindu+Festivals+Society+April+2008+012.jpg"><img style="display:block;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://bp0.blogger.com/_Pjy_iiNvR28/SAufD8rsf9I/AAAAAAAAAHQ/6fu6J6HaRxo/s400/Hindu+Festivals+Society+April+2008+012.jpg" border="0" alt="" /></a></p>
<p><strong>President Shri Thirbhawon Seegobin at the podium, delivering the Inauguration Address.</strong></p>
<p><a href="http://bp1.blogger.com/_Pjy_iiNvR28/SAuaJMrsf5I/AAAAAAAAAGw/zjuqVSJhxt0/s1600-h/Hindu+Festivals+Society+April+2008+041.jpg"><img style="display:block;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://bp1.blogger.com/_Pjy_iiNvR28/SAuaJMrsf5I/AAAAAAAAAGw/zjuqVSJhxt0/s400/Hindu+Festivals+Society+April+2008+041.jpg" border="0" alt="" /></a><br />
<a href="http://bp2.blogger.com/_Pjy_iiNvR28/SAuZrcrsf3I/AAAAAAAAAGg/DQSeAniPWmU/s1600-h/Hindu+Festivals+Society+April+2008+044.jpg"><img style="display:block;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://bp2.blogger.com/_Pjy_iiNvR28/SAuZrcrsf3I/AAAAAAAAAGg/DQSeAniPWmU/s400/Hindu+Festivals+Society+April+2008+044.jpg" border="0" alt="" /></a></p>
<p><a href="http://bp3.blogger.com/_Pjy_iiNvR28/SAucnsrsf7I/AAAAAAAAAHA/NxgJA1-owgw/s1600-h/Hindu+Festivals+Society+April+2008+025.jpg"><img style="display:block;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://bp3.blogger.com/_Pjy_iiNvR28/SAucnsrsf7I/AAAAAAAAAHA/NxgJA1-owgw/s400/Hindu+Festivals+Society+April+2008+025.jpg" border="0" alt="" /></a></p>
<p>Mr. Deosaran Bisnath, President of <em>GOPIO Trinidad &amp; Tobago</em>, and Moderator of <em>Caribbean Hindus Network</em>, addressing the gathering at the inauguration of the HINDU FESTIVALS SOCIETY of Trinidad &amp; Tobago, April 20th, 2008, at Santa Flora, Trinidad.</p>
<p><strong>A prediction: By the next 2015, this will be the largest Hindu organization in the Caribbean, Central, and South America.</strong></p>
<p><a href="http://bp0.blogger.com/_Pjy_iiNvR28/SAueR8rsf8I/AAAAAAAAAHI/4CTQPzHKz8w/s1600-h/Hindu+Festivals+Society+April+2008+043.jpg"><img style="display:block;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://bp0.blogger.com/_Pjy_iiNvR28/SAueR8rsf8I/AAAAAAAAAHI/4CTQPzHKz8w/s400/Hindu+Festivals+Society+April+2008+043.jpg" border="0" alt="" /></a></p>
<p><strong>Part of the large audience at the inauguration of the <em>HINDU FESTIVALS SOCIETY </em>of Trinidad &amp; Tobago, at Santa Flora, TRINIDAD, on April 17th, 2008</strong></p>
<p><a href="http://bp3.blogger.com/_Pjy_iiNvR28/SAufysrsf-I/AAAAAAAAAHY/v92NCKoniws/s1600-h/Hindu+Festivals+Society+April+2008+001.jpg"><img style="display:block;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://bp3.blogger.com/_Pjy_iiNvR28/SAufysrsf-I/AAAAAAAAAHY/v92NCKoniws/s400/Hindu+Festivals+Society+April+2008+001.jpg" border="0" alt="" /></a></p>
<p>Pooja at the Inauguration of the HINDU FESTIVALS SOCIETY of Trinidad and Tobago, April 17th, 2008, Santa Flora, TRINIDAD.</p>
<p><a href="http://bp0.blogger.com/_Pjy_iiNvR28/SAugn8rsf_I/AAAAAAAAAHg/DHa8VpgKhQ4/s1600-h/Hindu+Festivals+Society+April+2008+008.jpg"><img style="display:block;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://bp0.blogger.com/_Pjy_iiNvR28/SAugn8rsf_I/AAAAAAAAAHg/DHa8VpgKhQ4/s400/Hindu+Festivals+Society+April+2008+008.jpg" border="0" alt="" /></a><br />
Teenage boys Dancing at inauguration of HINDU FESTIVALS SOCIETY of Trinidad &amp; Tobago.</p>
<p> </p>
<p>Posted April 20, Deosaran Bisnath</p>
</div>
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		<title>GOPIO TRINIDAD &amp; TOBAGO INDIAN ARRIVAL DAY SEMINAR</title>
		<link>http://hinducouncilofthecaribbean.wordpress.com/2008/04/18/gopio-trinidad-tobago-indian-arrival-day-seminar/</link>
		<comments>http://hinducouncilofthecaribbean.wordpress.com/2008/04/18/gopio-trinidad-tobago-indian-arrival-day-seminar/#comments</comments>
		<pubDate>Fri, 18 Apr 2008 16:20:05 +0000</pubDate>
		<dc:creator>deosaranbisnath</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[    GOPIO Trinidad &#38; Tobago a Chapter of GOPIO INTERNATIONAL PO BOX 2286, Chaguanas,     687-7529   GopioTT@gmail.com Deosaran Bisnath, President     Rajnie Ramlakhan, Secretary    Oscar Ramoutar, Treasurer     Niranjan Bhaggan, Director                                                                                                                                      April 18th, 2008      GOPIO Trinidad &#38; Tobago’s INDIAN ARRIVAL DAY SEMINAR &#38; AWARDS CEREMONY   Saturday May 10th 2008, from 3 to 7pm   [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=hinducouncilofthecaribbean.wordpress.com&amp;blog=2426476&amp;post=7&amp;subd=hinducouncilofthecaribbean&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><strong><span style="font-size:16pt;color:black;font-family:Arial;"><span style="font-size:x-small;color:#800000;"><span style="font-size:x-small;"><span style="font-size:x-small;color:#0000ff;"><span style="color:#000000;"><span style="font-size:x-small;"><span style="font-size:x-small;color:#800000;"><span style="font-size:x-small;"><span style="font-size:x-small;color:#0000ff;"><span style="font-size:x-small;color:#000000;"><span style="color:#000000;"><span style="font-size:x-small;"><span><span style="font-size:x-small;color:#800000;"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><span style="font-size:x-small;"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"><span style="font-size:x-small;color:#0000ff;"><span><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><span style="font-size:x-small;color:#000000;"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"><span style="font-size:medium;"></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></strong> </p>
<p class="MsoNormal" style="text-align:center;margin:0;" align="center"><strong></strong> </p>
<p class="MsoNormal" style="text-align:center;margin:0;" align="center"><strong><span style="font-size:16pt;color:black;font-family:Arial;">GOPIO Trinidad &amp; Tobago</span></strong><span style="font-size:16pt;color:black;font-family:Arial;"></span></p>
<p class="MsoNormal" style="text-align:center;margin:0;" align="center"><span style="color:black;font-family:Arial;"><span style="font-size:x-small;">a Chapter of GOPIO INTERNATIONAL</span></span></p>
<div style="border-right:medium none;border-top:medium none;border-left:medium none;border-bottom:windowtext 1.5pt solid;padding:0 0 1pt;">
<p class="MsoNormal" style="text-align:center;margin:0;padding:0;" align="center"><span style="color:black;font-family:Arial;"><span style="font-size:x-small;">PO</span></span><span style="color:black;font-family:Arial;"><span style="font-size:x-small;"> BOX 2286, Chaguanas,<span>     </span>687-7529<span>   </span></span><a href="mailto:GopioTT@gmail.com"><span style="font-size:x-small;">GopioTT@gmail.com</span></a></p>
<p></span><em><span style="font-size:8pt;color:black;font-family:Arial;">Deosaran Bisnath, President<span>   </span><span> </span><span> </span>Rajnie Ramlakhan, Secretary <span>  </span><span> </span>Oscar Ramoutar, Treasurer <span> </span><span>   </span>Niranjan Bhaggan, Director</span></em><span style="color:black;"></span></p>
</div>
<p class="MsoNormal" style="margin:0;"><span style="font-size:x-small;"><span style="font-family:Times New Roman;"><strong><span> </span></strong><span>                                                                                                                                    </span></span></span><strong><span style="font-size:9pt;font-family:Arial;">April 18th, 2008<br />
<span> </span></span></strong><strong><span style="font-family:Arial;"><span><span style="font-size:x-small;">    </span></span></span></strong></p>
<p class="MsoNormal" style="text-align:justify;margin:0;"><strong><span style="font-size:12pt;font-family:Arial;">GOPIO Trinidad &amp; Tobago’s INDIAN ARRIVAL DAY SEMINAR &amp; AWARDS CEREMONY</span></strong></p>
<p class="MsoNormal" style="text-align:justify;margin:0;"><strong></strong> </p>
<p class="MsoNormal" style="text-align:justify;margin:0;"><strong><span style="font-size:12pt;font-family:Arial;">Saturday May 10th 2008, from 3 to 7pm</span></strong></p>
<p class="MsoNormal" style="text-align:justify;margin:0;"><strong></strong> </p>
<p class="MsoNormal" style="text-align:justify;margin:0;"><strong></strong> </p>
<p class="MsoNormal" style="text-align:justify;margin:0;"><strong><span style="font-size:12pt;font-family:Arial;">at DIVALI NAGAR, Chaguanas</span></strong></p>
<p class="MsoNormal" style="text-align:justify;margin:0;"><strong></strong> </p>
<p class="MsoNormal" style="text-align:justify;margin:0;"><strong><span style="font-size:12pt;font-family:Arial;">Presenters from Guyana, Suriname, Mauritius, India, and Trinidad.</span></strong></p>
<p class="MsoNormal" style="text-align:justify;margin:0;"><strong></strong> </p>
<p class="MsoNormal" style="text-align:justify;margin:0;"><strong></strong> </p>
<p class="MsoNormal" style="text-align:justify;margin:0;"><strong><span style="font-size:12pt;font-family:Arial;">FREE, OPEN TO ALL. </span></strong></p>
<p class="MsoNormal" style="text-align:justify;margin:0;"><strong></strong> </p>
<p class="MsoNormal" style="text-align:justify;margin:0;"><strong><span style="font-size:12pt;font-family:Arial;">Call 687-7529 or 314-1456. E-mail <a href="mailto:GOPIOTT@gmail.com">GOPIOTT@gmail.com</a></span></strong></p>
<p> </p>
<p>Deosaran Bisnath</p>
<p> </p>
<p>Chaguanas TRINIDAD</p>
<div> </div>
<div>
<span style="font-family:arial;"><span style="color:#003399;"><span style="font-size:12pt;color:black;font-family:Arial;"><img src="http://www.gopio.net/gopio_logo.jpg" alt="" width="136" height="131" /></span></span></span></div>
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		<title>ESSAY competition on ALCOHOLISM &#8211; GOPIO Trinidad &amp; Tobago</title>
		<link>http://hinducouncilofthecaribbean.wordpress.com/2008/03/21/essay-competition-on-alcoholism-gopio-trinidad-tobago/</link>
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		<pubDate>Fri, 21 Mar 2008 12:08:21 +0000</pubDate>
		<dc:creator>deosaranbisnath</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[Join GOPIO Trinidad &#38; Tobago GOPIO Trinidad &#38; Tobago a chapter of GOPIO International.    P.O. BOX 2286, Chaguanas. 687-7529   GopioTT@gmail. com ESSAY COMPETITION ALCOHOLISM – Causes, Effects, and Solutions          ALCOHOLISM, the major social, economic, and health problem in our nation, is marked by excessive alcoholic consumption at levels that interfere with physical and mental [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=hinducouncilofthecaribbean.wordpress.com&amp;blog=2426476&amp;post=6&amp;subd=hinducouncilofthecaribbean&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<div align="left" class="style17">Join GOPIO Trinidad &amp; Tobago<font color="#000000"><font size="2"><span><font size="2" color="#800000"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><font size="2"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"><font size="2" color="#0000ff"><span><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><font size="2" color="#000000"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"><font size="4"><font color="#0000bf"><br />
</font><br />
<span style="font-size:12pt;color:black;font-family:Arial;"><img width="136" src="http://www.gopio.net/gopio_logo.jpg" height="131" /></span><br />
<font size="3" color="#000000" face="Arial"><span style="font-size:12pt;color:black;font-family:Arial;">GOPIO Trinidad &amp; Tobago</span></font><font color="#000000" face="Arial"><span style="font-weight:bold;color:black;font-family:Arial;"><br />
</span></font><font color="#000000" face="Arial"><span style="color:black;font-family:Arial;"><i><font face="Arial"><span style="font-style:italic;font-family:Arial;">a chapter of GOPIO International.</span></font></i><font face="Arial"><span style="font-family:Arial;">    </span></font><span style="font-weight:bold;"><br />
<font face="Arial"><span style="font-family:Arial;">P.O. BOX 2286, Chaguanas.<br />
</span></font></span></span></font><font size="3" color="#000000" face="Arial"><span style="font-size:12pt;color:black;font-family:Arial;">687-7529   <a rel="nofollow" target="_blank" href="http://hinducouncilofthecaribbean.wordpress.com/ym/Compose?To=GopioTT@gmail.com"><font color="#003399">GopioTT@gmail. com</font></a><br />
<strong><font face="Verdana"><font size="2"></font></font></strong></span></font></font></span></span></span></span></span></font></span></span></span></span></span></font></span></span></span></span></span></font></span></span></span></span></font></span></font></font></div>
<div align="left" class="style17"><font color="#000000"><font size="2"><span><font size="2" color="#800000"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><font size="2"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"><font size="2" color="#0000ff"><span><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><font size="2" color="#000000"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"><font size="4"><font size="3" color="#000000"><span style="font-size:12pt;color:black;font-family:Arial;"><strong><font size="2">ESSAY COMPETITION </font><i><u><span style="font-size:9pt;font-family:Verdana;"><font face="Arial">ALCOHOLISM – Causes, Effects, and Solutions</font></span></u></i></strong><span style="font-family:Verdana;"><font size="2"><strong><font face="Arial"><span>  </span><br />
<span>      </span></font></strong></font></span></p>
<div align="left" style="margin:0;" class="MsoNormal"><b><span style="font-size:9pt;font-family:Arial;">ALCOHOLISM, the major social, economic, and health problem in our nation, is marked by excessive alcoholic consumption at levels that interfere with physical and mental health, and affects social, family, and occupational responsibilities. Alcohol is involved in crime, accident and traffic deaths, and suicides<span style="color:black;">. <span> </span></span></span></b><b><span style="font-size:9pt;color:black;font-family:Arial;">Children of alcoholics are exposed to increased risks of alcohol and drug abuse; social and behavioral problems; and anxiety and mood disorders</span></b><span style="font-size:9pt;color:black;font-family:Arial;">.</span><b><span style="font-size:9pt;font-family:Arial;"><br />
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<div align="left" style="margin:0;" class="MsoNormal"><b><span style="font-size:9pt;font-family:Arial;">Every citizen in our nation should assist in dealing with this serious problem. For its part, GOPIO Trinidad &amp; Tobago intends to raise the consciousness of our people, especially the youth; sensitize and increase awareness; and provide solutions that can be implemented throughout <span style="background:none transparent scroll repeat 0 0;cursor:hand;border-bottom:#0066cc 1px dashed;" class="yshortcuts">Trinidad and Tobago</span>. As a first step, GOPIO <span style="cursor:hand;border-bottom:#0066cc 1px dashed;" class="yshortcuts">Trinidad and Tobago</span> has organized a nationwide essay competition, on the topic: <i><u>ALCOHOLISM in Trinidad &amp; Tobago <span> </span>– Causes, Effects, and Solutions. <span> </span></u></i></span></b></div>
<div align="left" style="margin:0;" class="MsoNormal"><b><i><u><span style="font-size:9pt;font-family:Arial;"><span style="text-decoration:none;"></span></span></u></i></b></div>
<div align="left" style="margin:0;" class="MsoNormal"><b><span style="font-size:9pt;font-family:Arial;">Details are as follows:<span>  </span></span></b></div>
<div align="left" style="margin:0;" class="MsoNormal"><b><span style="font-size:9pt;font-family:Arial;">Participants are required to define the scope of the problem, describe the effect of Alcoholism on our society, and propose practical and pragmatic solutions that can be realistically implemented in Trinidad &amp; Tobago.<span>  </span>It is expected that analysis of current data and relevant information will be presented, in both text and graphical formats. <span> </span>Data sources and references should be credited.</p>
<p>Age 17 &amp; under: Winner will receive a desktop computer<br />
Age 18 to 25: Winner will receive a Laptop computer.</span></b></div>
<div align="left" style="margin:0;" class="MsoNormal"><b><span style="font-size:9pt;font-family:Arial;">Four runner-up prizes will be awarded in each group. </span></b></div>
<div align="left" style="text-align:justify;margin:0;" class="MsoNormal"><b><span style="font-size:9pt;font-family:Arial;">Minimum word length: 2500 </span></b></div>
<div align="left" style="margin:0;" class="MsoNormal"><b><span style="font-size:9pt;font-family:Arial;">Entries should be mailed on, or before, 18<sup>th</sup> April 2008, to<br />
GOPIO Trinidad &amp; Tobago<br />
PO BOX 2286,<br />
Chaguanas.</span></b></div>
<div align="left" style="text-align:justify;margin:0;" class="MsoNormal"><b><span style="font-size:9pt;font-family:Arial;"></span></b></div>
<div align="left" style="text-align:justify;margin:0;" class="MsoNormal"><b><span style="font-size:9pt;font-family:Arial;">The winners will be announced, and prizes distributed, at the Indian Arrival Day Seminar 2008, on Saturday May 10<sup>th</sup>, at the Divali Nagar Main Auditorium, Chaguanas, where a Panel of Experts will explore and analyze this topic with the audience.<span>  </span>The other major theme at this Seminar is <i>Developing Networks and Relationships in Business, Agriculture, Technology, and Culture, between Trinidad &amp; Tobago and the International Indian Diaspora.<span>  </span><span> </span></i>More information about the Indian Arrival Day Seminar 2008 will be released at a later date.<i> </i></span></b></div>
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<div align="left" style="text-align:justify;margin:0;" class="MsoNormal"><b><span style="font-size:9pt;font-family:Arial;">GOPIO <span style="background:none transparent scroll repeat 0 0;cursor:hand;border-bottom:#0066cc 1px dashed;" class="yshortcuts">Trinidad and Tobago</span>, a chapter of GOPIO International, is a <u>secular, non–political, non-profit and Non-Governmental Organization.</u> You may contact us at 687-7529, 314-1456, or email <a rel="nofollow" target="_blank" href="http://hinducouncilofthecaribbean.wordpress.com/ym/Compose?To=GOPIOTT@gmail.com"><span class="yshortcuts"><font color="#003399">GOPIOTT@gmail.com</font></span></a><br />
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		<title>International Jahajee Journal (IJJ), March 23rd 2008: Happy Holi; Green Card &amp; sex; VS Naipaul; GUYANA &#8211; Politics &amp; Race</title>
		<link>http://hinducouncilofthecaribbean.wordpress.com/2008/03/21/international-jahajee-journal-ijj-march-23rd-2008-happy-holi-green-card-sex-vs-naipaul-guyana-politics-race/</link>
		<comments>http://hinducouncilofthecaribbean.wordpress.com/2008/03/21/international-jahajee-journal-ijj-march-23rd-2008-happy-holi-green-card-sex-vs-naipaul-guyana-politics-race/#comments</comments>
		<pubDate>Fri, 21 Mar 2008 12:07:28 +0000</pubDate>
		<dc:creator>deosaranbisnath</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[International Jahajee Journal (IJJ), March 23, 2008 Voice of the International  Indian Diaspora http://www.jahajeedesi.com/ Home of the International Jahajee Diaspora My dear friends, Aap Sabko Rango ke paavan parv &#8220;HOLI&#8220; par &#8220;Hardik Shubh kaamnaaye&#8221;! May your life be coloured with the coloures of joy, friendship,fun,love,happiness &#38; harmony on &#8220;HOLI&#8221; and always. Let us celebrate Holi in the spirit [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=hinducouncilofthecaribbean.wordpress.com&amp;blog=2426476&amp;post=5&amp;subd=hinducouncilofthecaribbean&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><span><font size="2" color="#800000"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><font size="2"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"><font size="2" color="#0000ff"></p>
<div align="left"><span><font size="2"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><font size="2"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"><font size="2" color="#000000"><span style="color:blue;"><font><span style="font-size:14pt;line-height:100%;"><font>International Jahajee Journal (IJJ), March 23, 2008</font></span><br />
</font><i><strong>Voice of the International  Indian Diaspora </strong></i></span><br />
<a rel="nofollow" target="_blank" href="http://www.jahajeedesi.com/"><font color="#000099"><span class="yshortcuts"><strong>http://www.jahajeedesi.com/</strong></span></font></a> <strong><br />
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</strong><a rel="nofollow" target="_blank" href="http://www.jahajeedesi.com/forums/index.php?act=idx"><span style="color:blue;"><font><strong>Home of the International Jahajee Diaspora</strong></font></span></a></font></span></span></span></span></span></font></span></span></span></span></font></span></div>
<p><span><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"><font color="#000000"></p>
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<div><font size="4" color="#ff0000" face="comic sans ms"><strong><font size="5"><font color="#ff00ff">My </font>dear </font><font color="#007f40"><font size="5">friends,</font></font></strong></font></div>
<div><font size="4" color="#0000bf" face="Comic Sans MS"><font size="5"><strong>Aap </strong></font><font color="#ff4040"><font size="5"><strong>Sabko <font color="#ff00ff">Rango</font><font color="#00ffff"> </font><font color="#000000">ke </font><font color="#ff7f00">paavan </font><font color="#80ff00">parv </font><font color="#ff007f">&#8220;</font><font color="#0000bf">H</font><font color="#ff0000">O</font><font color="#bf00bf">L</font><font color="#60bf00">I<font color="#ff0000">&#8220;</font> </font><font color="#525330">par </font></strong></font></font></font></div>
<div><strong><font size="5" color="#ff0000" face="Comic Sans MS">&#8220;Hardik <font color="#40007f">Shubh</font><font color="#407f00"> </font><font color="#007f40">kaamnaaye&#8221;</font><font color="#7f3f00">!</font></font></strong></div>
<div><strong><font size="5" color="#00ff80" face="Comic Sans MS">May <font color="#ff007f">your <font color="#00007f">life</font> </font><font color="#737373">be </font><font color="#ff0000">c</font><font color="#407f00">o</font><font color="#000000">l</font><font color="#00ff80">o</font><font color="#ff00ff">u</font><font color="#0000ff">r</font><font color="#7f3f00">e</font><font color="#000000"><font color="#ff0000">d</font> </font><font color="#00bfbf">with </font><font color="#7f7f00">the <font color="#ff0000">c</font><font color="#407f00">o</font><font color="#000000">l</font><font color="#00ff80">o</font><font color="#ff00ff">u</font><font color="#0000ff">r</font><font color="#7f3f00">e</font></font><font color="#7f007f">s </font><font color="#00ffff">of </font><font color="#c00000">joy, </font><font color="#8000ff">friendship,</font><font color="#0060bf">fun,<font color="#ff00ff">love,<font color="#7f007f">happiness</font> </font></font><font color="#000000">&amp; </font><font color="#7f7f00"><font color="#ff007f">harmony </font><font color="#bfbf00">on <font color="#ff007f">&#8220;</font><font color="#0000bf">H</font><font color="#ff0000">O</font><font color="#bf00bf">L</font><font color="#60bf00">I<font color="#ff0000">&#8221; </font></font></font><font color="#00007f">and </font><font color="#ff7f00">always. </font></font></font></strong></div>
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<div><font size="2" color="#0000ff" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular"><strong>Let us celebrate Holi in the spirit of friendship, joy, merriment and love “let noble taught and action be your guide and the fragrance of Bassant rejuvenate your life”.</strong></font></div>
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<div><font color="#ff0000">This Phagwah, may the colours within us emanate and the fragrance of the season spread among our people’</font><br />
<span><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"><font color="#000000"><strong><font size="2" face="Arial">Deosaran Bisnath, </font></strong></font></span></span></span></span></span></span></span></span></span></span></div>
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<div><span><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"><font color="#000000"><strong><font size="2">Editor, International Jahajee Journal<br />
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<div align="left"><strong><font color="#ff0000">Indian Dancers performing at Awards Banquet of National </font></strong></div>
<div align="left"><strong><font color="#ff0000">Council for Indian Culture in </font><font color="#40007f">JAMAICA</font></strong></div>
<div align="left"><img width="250" src="http://www.ncicj.com/photos/banquet07/a4.jpg" alt=" National Council for Indian Culture in Jamaica" height="250" /></div>
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<div align="left">Ah different Style</div>
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<div><font color="#000000">WHEN YOU LOOK IN THE MIRROR WHAT DO YOU SEE</font></div>
<div><font color="#000000">CAN YOU HEAR THE WHISPER OF <b>JAHAAJEE</b> (<b>ancestors)</b> </font></div>
<div><font color="#000000">      <b>TUM KOWN HO BETA (who are you son)</b> </font></div>
<div><font color="#000000">      <b>TUM KOWN HO BETI (who are you so daughter)</b> </font></div>
<div><font color="#000000">LOOK IN THE MIRROR WELL</font></div>
<div><font color="#000000">WHAT<b> KAHAANI </b>DOES IT TELL <b>(story) </b>           </font></div>
<div><font color="#000000">IS OUR LEGACY</font></div>
<div><font color="#000000">DYING <b>JALDI JALDI (quickly) </b>       </font></div>
<div><font color="#000000">NOWADAYS <b>LARKIS (girls)</b></font></div>
<div><font color="#000000">AND ALL THEY <b>SAKHIS (friends)</b> </font></div>
<div><font color="#000000"><b>PATKAY</b> THE <b>GHANGHRI (throw away, long skirt)</b>     </font></div>
<div><font color="#000000">FOR THE SLINKY MINI</font></div>
<div><font color="#000000">      <i>LONG IS OUT AND SHORT IS IN</i> </font></div>
<div><font color="#000000">      <i>THICK IS OUT SO BETTER BE THIN</i> </font></div>
<div><font color="#000000">IT JUST <b>NAHI</b> RIGHT <b>(not)</b> </font></div>
<div><font color="#000000">IF THE JEANS <b>NAHI</b> TIGHT<b> (not)</b> </font></div>
<div><font color="#000000">AND THE MORE PEER PRESURE</font></div>
<div><font color="#000000">IS THE MORE EXPOSURE</font></div>
<div><font color="#000000">      <b>BAHUT</b> COMPROMISE <b>(plenty)</b> </font></div>
<div><font color="#000000">      FOR MODERN DISGUISE</font></div>
<div><font color="#000000">      IN THIS HIGH FASHION WORLD </font></div>
<div><font color="#000000">      ONLY DIGNITY IS SOLD</font></div>
<div><font color="#000000"><b>BETI</b> THIS IS NOT YOU <b>(daughter)</b> </font></div>
<div><font color="#000000">TO YOURSELF BE TRUE</font></div>
<div><font color="#000000">BEFORE THE MIRROR SAY</font></div>
<div><font color="#000000">IS NO <b>SHARMAAYE (shame)</b> </font></div>
<div><font color="#000000">IS THE AGE OF THE WILD</font></div>
<div><font color="#000000">SO <b>LARKAS </b>HAVE NEW STYLE <b>(boys)</b> </font></div>
<div><font color="#000000"><b>CHOOSAYING</b> THEY <b>PAISAA (wasting, money)</b> </font></div>
<div><font color="#000000">ON <b>KAPRAA</b> AND MOTOR CAR <b>(clothes)</b> </font></div>
<div><font color="#000000">CYAR WAIT FOR WEEKEND</font></div>
<div><font color="#000000">FOR <b>TAMASHAA</b> WITH THEY FRIENDS <b>(fun)</b> </font></div>
<div><font color="#000000">DANCING AH NEW <b>GAANA (song)</b> </font></div>
<div><font color="#000000">IN AN ALIEN <b>GHARHAANAA (musical tradition)</b> </font></div>
<div><font color="#000000">      <i>COME ON DREAD, WE’LL PAINT THE TOWN RED</i> </font></div>
<div><font color="#000000">      <i>BUILD A HEAD AND KNOCK ‘EM DEAD</i> </font></div>
<div><font color="#000000">WHAT YUH <b>DHAKOLAY (drink)</b> </font></div>
<div><font color="#000000">AND WHAT YUH DOES <b>PHOOKAY (smoke)</b> </font></div>
<div><font color="#000000">WHAT TAKIN YOU ASTRAY </font></div>
<div><font color="#000000">MAY NOT BRING YOU BACK ONE DAY</font></div>
<div><font color="#000000">      BETA THIS IS NOT YOU </font></div>
<div><font color="#000000">      TO YOURSELF BE TRUE</font></div>
<div><font color="#000000">      BEFORE THE MIRROR SAY   </font></div>
<div><font color="#000000">      IS NO <b>SHARMAAYE</b> </font></div>
<div><font color="#000000"><b>BAHUT </b>PROSPERITY</font></div>
<div><font color="#000000">CORRUPTING IDENTITY</font></div>
<div><font color="#000000">SO <b>SANSKAAR</b> THE <b>BACHO (give values, child)</b> </font></div>
<div><font color="#000000">SHOW THEM THE WAY TO GO</font></div>
<div><font color="#000000">THEY’LL <b>NIK NIKAAYE (give difficulty)</b> </font></div>
<div><font color="#000000">TO HAVE THEIR OWN WAY</font></div>
<div><font color="#000000">IF YOU ONLY FALL PREY</font></div>
<div><font color="#000000">IT WILL BACKFIRE SOME DAY</font></div>
<div><font color="#000000">      <b>KHABAR DAAR </b>WITH <b>DOOLAR (take care, pampering)</b> </font></div>
<div><font color="#000000">      DANGER IN THE <b>SAMSAAR (this world) </b> </font></div>
<div><font color="#000000">      BE CAREFUL WHAT YUH CHANGE </font></div>
<div><font color="#000000">      AND WHAT YUH REARRANGE</font></div>
<div><font color="#000000">THE CULTURE YOU TEACH </font></div>
<div><font color="#000000">PRACTICE DON’T PREACH</font></div>
<div><font color="#000000">BEFORE THE MIRROR SAY</font></div>
<div><font color="#000000">IS NO <b>SHARMAAYE</b> </font></div>
<div><font color="#000000"><b>AAJAA AUR AAJEE (grandparents)</b> </font></div>
<div><font color="#000000">GETTAM NEW HOBBY</font></div>
<div><font color="#000000">SOAP OPERA ON TV</font></div>
<div><font color="#000000">SO THEY CLOSE THE <b>RASOYI (kitchen)</b> </font></div>
<div><font color="#000000">NO ROTI AND <b>DAHI (home made yogurt)</b> </font></div>
<div><font color="#000000"><b>SAYKAYING</b> IN THE <b>CHULHEE (roasting, earthen stove)</b> </font></div>
<div><font color="#000000">SO NO <b>JOHR</b> IN THE <b>NAATI (strength, grandchildren)</b> </font></div>
<div><font color="#000000">KFC LAUGHING AT WE</font></div>
<div><font color="#000000">      TAKE BACK THE <b>PALANAA (cradle)</b> </font></div>
<div><font color="#000000">      SAVE THE P<b>ARAMPARAA (tradition, legacy)</b> </font></div>
<div><font color="#000000">      BEFORE YUH <b>LALANAA (‘pampered’ child)</b> </font></div>
<div><font color="#000000">      END UP IN THE FIRE</font></div>
<div><font color="#000000">NOW ITS MAKE OR BREAK</font></div>
<div><font color="#000000">CAUSE THE FUTURE IS AT STAKE</font></div>
<div><font color="#000000">WILL YOU LET THE MIRROR SAY</font></div>
<div><font color="#000000">IS NO <b>SHARMAAYE</b></font>  </p>
<div><b>TITLE </b>: Ah different Style</div>
<div><b>SINGER </b>: Reena Teelucksingh, Trinidad</div>
<div><strong>COMPOSER</strong> : Revan Teelucksingh, Trinidad </div>
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<div align="left"><b><font face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular">One of several cultural presentations at Phagwah Mela, GUYANA</font></b></div>
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<div align="left"><b><font size="4" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular">Use lesson of Phagwah to stand firm<br />
</font><font size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular">- President tells gathering at Phagwah Mela<br />
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<div align="left"><font size="2" color="#000000" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular">THE message about the triumph of good </font><font size="2" color="#000000" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular">over evil, which is the main theme behind t</font></div>
<div align="left"><font size="2" color="#000000" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular">the story of Phagwah, is a lesson which Guyanese can learn from, particularly during this period of trauma and uncertainty.<br />
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<div align="left"><font size="2" color="#000000" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular">This was the encouragement given by Head of State, President <span style="cursor:hand;border-bottom:#0066cc 1px dashed;" class="yshortcuts">Bharrat Jagdeo</span> who addressed a large gathering assembled at the Dharmic Sabha Kendra for the Phagwah mela and bazaar.<br />
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<div align="left"><font size="2" color="#000000" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular">The event, which is one of many organised by the <span style="background:none transparent scroll repeat 0 0;cursor:hand;border-bottom:#0066cc 1px dashed;" class="yshortcuts">Guyana</span> Hindu Dharmic Sabha to commemorate the Hindu festival, Phagwah, took the form of songs, dances, modelling and portrayals of various aspects of the Hindu culture.</font></div>
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<div align="left"><font face="Verdana"><font color="#000000"><em>A certain degree of physical harmony and comfort is necessary, but above a </em></font></font></div>
<div align="left"><font face="Verdana"><font color="#000000"><em>certain level it becomes a hindrance instead of a help. Therefore the ideal of </em></font></font></div>
<div align="left"><font face="Verdana"><font color="#000000"><em>creating an unlimited number of wants and satisfying them seems to be a </em></font></font></div>
<div align="left"><em><font face="Verdana"><font color="#000000">delusion and a snare  </font></font><font face="Verdana"><font color="#000000"><strong>&#8212;-  <span style="cursor:hand;border-bottom:#0066cc 1px dashed;" class="yshortcuts">Mahatma Gandhi</span></strong></font></font></em></div>
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<div align="left"><strong><font size="3">PHAGWA PICHAKAAREE 2008, TRINIDAD<br />
</font><font size="3">Courtesy Raviji</font></strong></div>
<div align="left"><font color="#000000"><b>DEDICATION PHAGWA 2008</b> </font></div>
<div align="left"><font color="#000000">It is in pursuit of the recognition of and deep concern for this Caribbean space as the nursery of our development that we have dedicated Kendra Phagwa Festival 2008 as a vehicle to highlight the threat that crime has visited on our cherished democracy and way of life. For this reason, Kendra Phagwa Festival is dedicating Phagwa 2008 to the Lusignan and Batica Massacres in Guyana that horrified the peoples of the Caribbean. This is to suggest that Trinidad and Tobago is concerned about the state of Guyana, Barbados, Bahamas and Jamaica as it is for our own nation. It is becoming more evident that crime is impacting on the democratic way of life. Pichakaaree 2008 hopes that by publicly alerting the Caribbean of this issue, the region would pull together to save democracy from the increasing tyranny of crime even as the Prahlaad was saved from the tyranny of Hiranyakashipu.</font></div>
<div align="left"><font color="#000000">Kendra Phagwa Festival in 2001 was inspired by Prahlaad’s stand against his father the mighty Emperror Hiranyakashipu, to take a stand against use of alcohol at Phagwa. KENDRA PHAGWA FESTIVAL continues the stand taken 17 years ago that declared The Kendra Phagwa Festival, a NO ALCOHOL ZONE. </font></div>
<div align="left"><font color="#000000">This stand was taken at the inception of the Kendra Phawa Festival in 2001 and continues today. Use of alcohol had almost ruined phagwa some years ago because it became increasingly unsafe for families to go to various venues.</font></div>
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<td align="center" class="caption"><font color="#0000ff">HAPPY FEET: Roodal Mahalal, accompanied by the Barataria chowtal group, performs a Raja Harrichan dance during the Shri Krishen Mandir&#8217;s chowtal singing competition yesterday at Lyle Lane, Felicity, TRINIDAD</font></td>
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<p><b><i><font color="#008000" face="Arial"></p>
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<font size="5">Holy Fusion</font></div>
<div align="left"><font size="4" color="#000000">Courtesy Imam Iqubal Hydal</font></div>
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<div align="left"><font color="#000000">&#8220;For every nation We appointed acts of devotion&#8221; (<span style="cursor:hand;border-bottom:#0066cc 1px dashed;" class="yshortcuts">Quran</span>, 22:34).</p>
<p>The fact that different religions use different calendars to calculate their spiritual festivals often causes various events to occur within the same period. This week we have concurrences of several religious festivals: Milad un-Nabi (birth date of the Holy Prophet Muhammad (pbuh) (March 20), <span style="cursor:hand;border-bottom:#0066cc 1px dashed;" class="yshortcuts">Good Friday</span> and Easter (March 21 and 23), and <span style="cursor:hand;border-bottom:#0066cc 1px dashed;" class="yshortcuts">Holi</span> Phagua (March 22).</p>
<p><strong>March 20: Milad un-Nabi</strong><br />
Although it was not the custom of the Prophet Muhammad (pbuh) to celebrate his birthday, this period of the Islamic year is often used to narrate his life. Emphasis lies on the fact that the Prophet brought spiritual light to the whole world; he fulfilled the almost impossible task of converting the whole of Arabia from idolatry to Islam the worshipping of only one God. After this, Islam spread gradually over the world and nowadays the light of Islam can be found in almost every corner of the world.</font></div>
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<div align="left"><font color="#000000"><font size="3"><font size="2">Please contact TESHAWNA LALL,  Tel#  347-247-3198,  for all USA and CANADA </font></font></font><font color="#000000"><font size="3"><font size="2"> </font></font></font></div>
<div align="left"><font color="#000000"><font size="3"><font size="2">donations for families and relatives of the </font><font color="#ff0000"><strong>LUSIGNAN </strong></font></font></font><font color="#000000"><font size="3"><font color="#ff0000"><strong>MASSACRE VICTIMS</strong>.</font></font></font></div>
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<div align="left"><font size="3" color="#ff0000"></font> <strong><font color="#800000"><font color="#000000"><b>   </b></font></font></strong></div>
<div align="left"><strong><font size="3">Support Malaysian Indians against State Brutality</font></strong></div>
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<div align="left" class="style17"><span><font size="2"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><font size="4" color="#00007f"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"><strong>MOST POPULAR HOLI (Phagwa) VIDEOS</strong></span></span></span></span></span></font></span></span></span></span></font></span></div>
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<div><strong>1.  </strong><span><strong>Holi Ke Din<br />
</strong><font color="#000000"><font size="2">from <strong>Sholay, with the incomparable Hema Malini, and Dharmendra</strong></font></font></span></div>
<div><a rel="nofollow" target="_blank" href="http://youtube.com/watch?v=G87UyGSJGB4"><font color="#003399">http://youtube. com/watch? v=G87UyGSJGB4</font></a></div>
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<div><strong>2. <span>Holi khele Raghuveera Awadh mein</span> </strong></div>
<div><a rel="nofollow" target="_blank" href="http://youtube.com/watch?v=XVXE4wvHz3A"><font size="2" color="#003399">http://youtube. com/watch? v=XVXE4wvHz3A</font></a></div>
<div><font color="#000000"><font size="2">from <span><strong>Baghbaan</strong>, with Amitabh Bachchan, Hema Malini</span></font></font></div>
<div><span><font size="2" color="#000000">While we are on<strong> Baghbaan</strong>, why not enjoy a classic, one of the first Bollywood songs with a pronounced jazzy beat :</font></span></div>
<div><span><em><strong><font color="#000000"><font size="2">Sonri Teri Chal</font> </font></strong></em></span></div>
<div><span><a rel="nofollow" target="_blank" href="http://youtube.com/watch?v=TJbV3UjICb8"><font color="#003399">http://youtube. com/watch? v=TJbV3UjICb8</font></a></span></div>
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<div><span><strong>3. <span>Rang Barse</span> </strong></span></div>
<div><span><font size="2">from <strong>Silsila</strong></font></span></div>
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<div><font color="#000000">Ranga Barase means a shower of colours and this is exactly what Phagwa is about, colour and beauty. During this feature, abeer of varying colours is sprayed on all participants from overhead pipe and sprinkler systems, designed for the special effect of bathing in coloured rain. The vibrations of appropiate music and songs are irresistable and the whole community gets involved in the grand celebration by joining in the community dancing.</font></div>
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<div><span><strong><a rel="nofollow" target="_blank" href="http://youtube.com/watch?v=rm17BPGvZSc"><font size="2" color="#003399">http://youtube. com/watch? v=rm17BPGvZSc</font></a></strong></span></div>
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<div><span><strong>4.  <span>Award winning Indian ad for a cause- Hostel/Holi</span> </strong></span></div>
<div><span><strong><a rel="nofollow" target="_blank" href="http://youtube.com/watch?v=nhwIFbB5iuo"><font size="2" color="#003399">http://youtube. com/watch? v=nhwIFbB5iuo</font></a></strong></span></div>
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<div><span><strong>5. <span>Old is Gold &#8211; Holi Clasical &#8220;Navrang&#8221;</span> </strong></span></div>
<div><span><strong><a rel="nofollow" target="_blank" href="http://youtube.com/watch?v=nf_j9_Hg-hI"><font size="2" color="#003399">http://youtube. com/watch? v=nf_j 9_Hg- hI</font></a></strong></span></div>
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<div><span><strong>6. <span>Bollywood Holi Mix</span></strong> </span></div>
<div><span><a rel="nofollow" target="_blank" href="http://youtube.com/watch?v=d0sa4XHlJVA"><font color="#003399">http://youtube. com/watch? v=d0sa4XHlJVA</font></a></span></div>
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<div><span><strong>7. <span>Holi bhojpuri song</span> </strong></span></div>
<div><span><a rel="nofollow" target="_blank" href="http://youtube.com/watch?v=YzQHt4GArbY"><font color="#003399">http://youtube. com/watch? v=YzQHt4GArbY</font></a></span></div>
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<div><span><strong>8. </strong><span><strong>Holi festival in Omkareshwar, India</strong> </span></span></div>
<div><span><span><a rel="nofollow" target="_blank" href="http://youtube.com/watch?v=nwnMITnjuog"><font color="#003399">http://youtube. com/watch? v=nwnMITnjuog</font></a></span></span></div>
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<div><span><span><strong>9. <span>Mangal Pandey &#8211; Holi Re</span></strong> </span></span></div>
<div><span><span><a rel="nofollow" target="_blank" href="http://youtube.com/watch?v=63qI1utlMsE"><font color="#003399">http://youtube. com/watch? v=63qI1utlMsE</font></a></span></span></div>
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<div><span><span><strong>10. <span>HOLI FESTIVAL 2007 india &#8211; vrindavan</span> </strong></span></span></div>
<div><span><span><a rel="nofollow" target="_blank" href="http://youtube.com/watch?v=ufln9NdtyHY&amp;feature=related"><font color="#003399">http://youtube. com/watch? v=ufln9NdtyHY&amp;feature=related</font></a></span></span></div>
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<div align="left" class="style17"><span><font size="2" color="#800000"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><font size="4" color="#0000ff"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"></span></span></span></span></span></font></span></span></span></span></font></span></div>
<div align="left" class="style17"><font size="2"><span><font size="2"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><font size="2"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"><font size="2"><span><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><font size="2" color="#0000ff"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"><font color="#0000ff"></font></span></span></span></span></span></font></span></span></span></span></span></font></span></span></span></span></span></font></span></span></span></span></font></span></font></div>
<div align="left" class="style17"><font size="2"><span><font size="2"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><font size="2"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"><font size="2"><span><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><font size="2" color="#0000ff"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"><font color="#0000ff">National </font><font color="#0000ff">Council for Indian Culture in Jamaica</font></span></span></span></span></span></font></span></span></span></span></span></font></span></span></span></span></span></font></span></span></span></span></font></span></font></div>
<p><font color="#000000"><font size="2"><span><font size="2" color="#800000"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><font size="2"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"><font size="2" color="#0000ff"><span><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><font size="2" color="#000000"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"></p>
<div align="left" class="style17"><img width="500" src="http://www.ncicj.com/ncicj/council2.JPG" alt="The National Council for Indian Culture" /></div>
<div align="left" class="style17"><font size="2"><em><font color="#7f007f"><strong>Third row (from left to right): </strong>  <br />
Maurice Williams, Seragh Lakasingh (2nd VP), Justice M. Dukharan</p>
<p><strong>Second row (from left to right)</strong>:<br />
Kiran Banhan, Ken Williams-Singh (Treasurer), Lyle Nathan Sharma, Vishwanauth Tolan (Chairman), Dr. Sitaram Poddar, Wilbert Sirjue, Nari Willams-Singh</p>
<p><strong>Seated (left to right)</strong>               <br />
Ms. Nalini Banhan, Mrs. Sepragie Maragh, Mrs. Beryl Williams-Singh, Dr. Paul Maragh (1st VP) </font></em></font></p>
<div align="left" class="style17"><font size="2"><em><font color="#7f007f"><strong>Missing from Picture<br />
</strong>Sunetra Ramsingh (Secretary) </font></em></font></p>
<div align="left" class="style17"><font size="2" color="#000000">The National Council for Indian Culture was established on March 1, 1998. The main activities of the Council aim at the promotion of Indian music and dance, culinary arts, fashion and the Hindi language. </font></p>
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<p><font size="2" color="#000000">Major Indian festivals are celebrated throughout the year. On the occasion of <strong>Diwali</strong> <em>(the festival of lights)</em>, a <strong>Diwali Mela</strong> <em>(Indian food fair and bazaar)</em> is also held. </font></li>
<li><font size="2" color="#000000">On the occasion of the <strong>Indian Heritage Day, May 10, </strong>a week of festivities is organized, starting with a Prayer Service on May 10 and ending with a Family Fun Day on the weekend. An Annual Awards Banquet and Cultural Show is also held to honour those who have made significant contributions in the promotion of culture, education and services to the community. </font></li>
<li><font size="2" color="#000000">The Council gives financial assistance to needy children towards their education and also to <span class="style13">charities</span>. </font></li>
<li><font size="2" color="#000000">Two preparatory schools and yoga classes are run by the Ananda Marga Society. </font></li>
<li><font size="2" color="#000000">Social and recreational activities are available at Club India, which also features the teaching of Hindi by Dr. S. Poddar </font></li>
<li><font size="2" color="#000000">Religious services are provided at Sanatan Dharma Mandir and . </font></li>
<li><font size="2" color="#000000">Spiritual services and meditation exercises are available at the Raja Yoga Centre and Blue Star Jamaica. </font></li>
<li><font color="#000000"><font size="2">Marriage and funeral services are performed by Pandit Danesh Maragh, Pandit Sharma and Pandit Ramadhar Maragh.</font><br />
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</strong></font><font size="2">Diana Athill, who ‘discovered’ VS Naipaul, reveals the insecurity behind his genius</font></p>
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<div><font size="2" color="#000000">People talk about publishers “discovering” writers, but that verb is overdramatic. Usually, the most that can be said for a publisher is that he “recognises” a writer. That’s certainly what happened with André Deutsch and Vidia Naipaul. There was not much “discovery” about being told by the Jamaican novelist Andrew Salkey that he thought a young man of his acquaintance who worked for the BBC’s Caribbean Service was probably a very good writer. Might he tell him that I would read his stories? I could hardly have said “no” even if I’d wanted to, which I didn’t. Ours was still a comparatively young publishing house, needing to follow up every possibility as keenly as we could. </font></div>
<div><font size="2" color="#000000">Soon after that, we met Vidia in a coffee bar, where he handed over the typescript of Miguel Street. He was probably shy and very nervous, but the impression I gained was one of reserve verging on haughtiness. </font></div>
<div><font size="2" color="#000000">I read the stories – and enjoyed them very much. André had a strong prejudice against collections of stories and refused to let us put down money for it, but he allowed us to say that we would publish it later, if the author could launch his career with a successful novel. And luckily, Vidia did happen to be well on the way with a novel, The Mystic Masseur, which got such good reviews that it had to be considered successful. </font></div>
<div><font size="2"><font color="#000000">So there we were in 1959, with VS Naipaul on our list, and I was his editor. Which is again an inaccurate word, because if ever a writer needed no editing it was Vidia, whose books could always have gone straight from typist to printer with no intervention from anyone. An editor’s job, in such a case, is basically to keep on saying “Darling, you’re wonderful</font>”. </font></div>
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<h3 class="section-heading"><font color="#000000"><font size="2"> </font><font size="2">With every one of his books, there was a pattern. First came a long period of peace while he was writing, during which we saw little of him and I would often have liked to see more, because I would be full of curiosity about the new book. Then, when it was delivered, there would be a short burst of euphoria, during which we would have enjoyable meetings and my role would be to appreciate the work, to write the blurb, to hit on a jacket that pleased both him and us. Then came part three: postpublication gloom, during which his voice on the telephone would make my heart sink – just a little during the first few years, deeper and deeper with the passage of time. His voice became charged with tragedy, his face became haggard, his theme became the atrocious exhaustion and damage (the word damage always occurred) this book had inflicted on him, and all to what end? Reviewers were ignorant monkeys, publishers (this would be implied in a sinister fashion rather than said) were lazy and useless: what was the point of it all? Why did he go on? </font></font></h3>
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<div><font size="2" color="#000000">He was, therefore, displeased with the results of publication, which filled him always with despair, sometimes with anger as well. Once he descended on me like a thunderbolt to announce that he had just been into Foyles of Charing Cross Road and they didn’t have a single copy of his latest book, published only two weeks earlier, in stock – not one! Reason told me this was impossible, but I have a tendency to accept guilt if faced with accusation and this tendency went into spasm. Suppose the sales department really had made some unthinkable blunder? Well, if they had I was not going to face the ensuing mayhem single-handed, so I said: “We must go and tell André at once.” Which we did; and André Deutsch said calmly: “What nonsense, Vidia – come on, we’ll go to Foyles straightaway and I’ll show you.” So all three of us stumped down the street to Foyles. Once we were in the shop, André cornered the manager and explained: “Mr Naipaul couldn’t find his book. Will you please show him where it is displayed?” “Certainly, Mr Deutsch”; and there it was, two piles of six copies each, on the table for “Recent Publications”. André said afterwards that Vidia looked even more thunderous at being done out of his grievance, but if he did, I was too dizzy with relief to notice. </font></div>
<div><font size="2" color="#000000">In 1975, we received the 13th of his books – his eighth work of fiction – Guerrillas. For the first time I was slightly apprehensive because he had spoken to me about the experience of writing it in an unprecedented way. Usually he kept the process private, but this time he said that it was extraordinary, something that had never happened before: it was as though the book had been given to him. Such a feeling about writing does not necessarily bode well. And as it turned out, I could not like the book. </font></div>
<div><font size="2" color="#000000">So I told him. I began by saying how much I admired the many things in the book that I did admire, then I said that I had to tell him that two of his three central characters had failed to convince me. It was like saying to Conrad: “Lord Jim is a very fine novel except that Jim doesn’t quite come off.” </font></div>
<div><font size="2" color="#000000">Vidia looked disconcerted, then stood up and said that he was sorry they didn’t work for me, because he had done the best he could with them, there was nothing more he could do, so there was no point in discussing it . . . </font></div>
<div><font size="2" color="#000000">The next day, Vidia’s agent called to say that he had been instructed to retrieve Guerrillas because we had lost confidence in Vidia’s writing and therefore he was leaving us. </font></div>
<div><font size="2" color="#000000">For at least two weeks I seethed . . . then, in the third week, it suddenly occurred to me that never again would I have to listen to Vidia telling me how damaged he was, and it was as though the sun came out. I didn’t have to like Vidia any more! I could still like his work, I could still be sorry for his pain; but I no longer faced the task of fashioning affection out of these elements in order to deal as a good editor should with the exhausting, and finally tedious, task of listening to his woe. </font></div>
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<div align="left" class="style17">Join GOPIO Trinidad &amp; Tobago<font color="#000000"><font size="2"><span><font size="2" color="#800000"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><font size="2"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"><font size="2" color="#0000ff"><span><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><font size="2" color="#000000"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"><font size="4"><font color="#0000bf"><br />
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<font size="3" color="#000000" face="Arial"><span style="font-size:12pt;color:black;font-family:Arial;">GOPIO Trinidad &amp; Tobago</span></font><font color="#000000" face="Arial"><span style="font-weight:bold;color:black;font-family:Arial;"><br />
</span></font><font color="#000000" face="Arial"><span style="color:black;font-family:Arial;"><i><font face="Arial"><span style="font-style:italic;font-family:Arial;">a chapter of GOPIO International.</span></font></i><font face="Arial"><span style="font-family:Arial;">    </span></font><span style="font-weight:bold;"><br />
<font face="Arial"><span style="font-family:Arial;">P.O. BOX 2286, Chaguanas.<br />
</span></font></span></span></font><font size="3" color="#000000" face="Arial"><span style="font-size:12pt;color:black;font-family:Arial;">687-7529   <a rel="nofollow" target="_blank" href="http://hinducouncilofthecaribbean.wordpress.com/ym/Compose?To=GopioTT@gmail.com"><font color="#003399">GopioTT@gmail. com</font></a><br />
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<div align="left" class="style17"><font color="#000000"><font size="2"><span><font size="2" color="#800000"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><font size="2"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"><font size="2" color="#0000ff"><span><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><font size="2" color="#000000"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"><font size="4"><font size="3" color="#000000"><span style="font-size:12pt;color:black;font-family:Arial;"><strong><font size="2">ESSAY COMPETITION </font><i><u><span style="font-size:9pt;font-family:Verdana;"><font face="Arial">ALCOHOLISM – Causes, Effects, and Solutions</font></span></u></i></strong><span style="font-family:Verdana;"><font size="2"><strong><font face="Arial"><span>  </span><br />
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<div align="left" style="margin:0;" class="MsoNormal"><b><span style="font-size:9pt;font-family:Arial;">ALCOHOLISM, the major social, economic, and health problem in our nation, is marked by excessive alcoholic consumption at levels that interfere with physical and mental health, and affects social, family, and occupational responsibilities. Alcohol is involved in crime, accident and traffic deaths, and suicides<span style="color:black;">. <span> </span></span></span></b><b><span style="font-size:9pt;color:black;font-family:Arial;">Children of alcoholics are exposed to increased risks of alcohol and drug abuse; social and behavioral problems; and anxiety and mood disorders</span></b><span style="font-size:9pt;color:black;font-family:Arial;">.</span><b><span style="font-size:9pt;font-family:Arial;"><br />
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<div align="left" style="margin:0;" class="MsoNormal"><b><span style="font-size:9pt;font-family:Arial;">Every citizen in our nation should assist in dealing with this serious problem. For its part, GOPIO Trinidad &amp; Tobago intends to raise the consciousness of our people, especially the youth; sensitize and increase awareness; and provide solutions that can be implemented throughout <span style="background:none transparent scroll repeat 0 0;cursor:hand;border-bottom:#0066cc 1px dashed;" class="yshortcuts">Trinidad and Tobago</span>. As a first step, GOPIO <span style="cursor:hand;border-bottom:#0066cc 1px dashed;" class="yshortcuts">Trinidad and Tobago</span> has organized a nationwide essay competition, on the topic: <i><u>ALCOHOLISM in Trinidad &amp; Tobago <span> </span>– Causes, Effects, and Solutions. <span> </span></u></i></span></b></div>
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<div align="left" style="margin:0;" class="MsoNormal"><b><span style="font-size:9pt;font-family:Arial;">Details are as follows:<span>  </span></span></b></div>
<div align="left" style="margin:0;" class="MsoNormal"><b><span style="font-size:9pt;font-family:Arial;">Participants are required to define the scope of the problem, describe the effect of Alcoholism on our society, and propose practical and pragmatic solutions that can be realistically implemented in Trinidad &amp; Tobago.<span>  </span>It is expected that analysis of current data and relevant information will be presented, in both text and graphical formats. <span> </span>Data sources and references should be credited.</p>
<p>Age 17 &amp; under: Winner will receive a desktop computer<br />
Age 18 to 25: Winner will receive a Laptop computer.</span></b></div>
<div align="left" style="margin:0;" class="MsoNormal"><b><span style="font-size:9pt;font-family:Arial;">Four runner-up prizes will be awarded in each group. </span></b></div>
<div align="left" style="text-align:justify;margin:0;" class="MsoNormal"><b><span style="font-size:9pt;font-family:Arial;">Minimum word length: 2500 </span></b></div>
<div align="left" style="margin:0;" class="MsoNormal"><b><span style="font-size:9pt;font-family:Arial;">Entries should be mailed on, or before, 18<sup>th</sup> April 2008, to<br />
GOPIO Trinidad &amp; Tobago<br />
PO BOX 2286,<br />
Chaguanas.</span></b></div>
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<div align="left" style="text-align:justify;margin:0;" class="MsoNormal"><b><span style="font-size:9pt;font-family:Arial;">The winners will be announced, and prizes distributed, at the Indian Arrival Day Seminar 2008, on Saturday May 10<sup>th</sup>, at the Divali Nagar Main Auditorium, Chaguanas, where a Panel of Experts will explore and analyze this topic with the audience.<span>  </span>The other major theme at this Seminar is <i>Developing Networks and Relationships in Business, Agriculture, Technology, and Culture, between Trinidad &amp; Tobago and the International Indian Diaspora.<span>  </span><span> </span></i>More information about the Indian Arrival Day Seminar 2008 will be released at a later date.<i> </i></span></b></div>
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<div align="center"><font size="4" color="#0000bf">Politicizing Race in Guyana </font></div>
<div align="center"><font size="4" color="#0000bf">by</font></div>
<div align="center"><font size="3" color="#000000"><font size="4" color="#0000bf">Roop Misir, PhD</font> </font></div>
<div><font size="2" color="#000000">Background</font></div>
<div><font size="2" color="#000000">Our country prides itself in the motto: <i>“The Land of Six Peoples”.</i> To onlookers, the people of Guyana live harmoniously. They work side-by-side in villages where they toil in farms, rice fields and sugar estates. In factories and mills, they use their hands and talents to manufacture some of the finest goods. All of them are educated in schools that promote racial equality. And over the years, they have been noticeable signs of racial integration. All of which leads one to conclude: Guyanese have grown to understand fellow citizens. </font></div>
<div><font size="2" color="#000000">But is this really true?</font></div>
<div><font size="2" color="#000000">In the 1950s and 60s, our people struggled, and in 1966 finally won political independence from Britain. Just about that time, the façade of racial harmony gave way to racial pride. There was the recognition that black was beautiful, and that politics meant true power. Therefore Africans must take charge after the British left. Also, Indians weren’t returning to India as some were hoping. Rather, they would live as citizens and participate in building the independent nation. Perhaps this didn’t fare too well with the more assertive elements of the population. These new developments would set the stage to test the veneer of racial harmony. </font></div>
<div><font size="2" color="#000000">Some may ask: Why?</font></div>
<div><font size="2" color="#000000"></font></div>
<div><font size="2" color="#000000">Politicizing Race</font></div>
<div><font size="2" color="#000000">With independence from Britain imminent, it became clear that the new country would inherit a <i>winner-takes-all</i> Westminster system of government. This meant that the party in power would also be in charge, and the losing party relegated to the opposition benches, effectively shutting them from power. </font></div>
<div><font size="2" color="#000000">Since 1947, Dr. Cheddi B. Jagan worked tirelessly to unite the different races of the country. In 1953, the multiracial Peoples’ Progressive Party (PPP) won an overwhelming victory at the first General Elections under universal suffrage. However, the PPP soon splintered into a faction led by Mr. LFS Burnham whose group later became the Peoples’ National Congress (PNC). Its support base was mainly African Guianese. Despite its setback, the multiracial PPP continued to win every election until 1961. Then a new electoral system of Proportional Representation (RP) was introduced to replace the traditional first past the post system. Not surprisingly, at the next General Election in 1964, the PPP received the largest number of seats but failed to secure more than 50% of the total votes cast. The PPP claimed that it was “Cheated not Defeated”.</font></div>
<div><font size="2" color="#000000">Cold War and Communism</font></div>
<div><font size="2" color="#000000">In those days of the Cold War, PR was perhaps as one peaceful way to defeat the pro-Communist PPP. Yet there was much violence against the PPP and their Indian supporters the early 60’s. With this party defeated and morally weakened, the pro-African PNC formed a coalition with the pro-business United Force (UF) under the leadership of popular Portuguese Guyanese businessman Mr. Peter D’Aguiar. This coalition was invited by the Governor to form the new government. </font></div>
<div><font size="2" color="#000000">Thus for the first time ever, race did affect the balance of power in Guyana. For the PNC at least, the racial polarization helped them secure votes and political power in the newly independent Guyana. Here again as elsewhere, the colonial time-tested strategy of “divide and rule” worked well. The “socialist” PNC was in charge, and the pro-communist PPP booted out. A few years later the UF left the coalition, leaving the PNC alone in charge. It was like a dream come true. The PNC then established the Cooperative Republic, which controlled almost every sector of the economy. With few checks and fewer balances, the PNC dished out goodies to their supporters, mainly African Guyanese. Only token crumbs managed to reach other races. </font></div>
<div><font size="2" color="#000000">As Indian Guyanese became increasingly marginalized, many had no alternative but to depart to any foreign country willing to take them. With no place for them in the power structure, they were effectively shut out of government.</font></div>
<div><font size="2" color="#000000">For twenty-eight long years, the African-dominated PNC ruled the country an iron hand. President-for-life </font></div>
<div><font size="2" color="#000000">LFS Burnham reigned supreme as the <i>“Kabaka”</i> (King). Under his leadership, with the help of security forces the rigging of Guyanese elections was perfected into a fine art. As the country’s economy spiraled downward and life became brutish and unbearable, was it any wonder that PNC supporters became disenchanted? Since the Kabaka’s victory at the polls was never in doubt, even Mr. Burnham’s own supporters lost interest in voting. For example, at a subsequent General Election, only 3% of those registered bothered to vote. But yet, the PNC secured a whopping 95% of the votes cast to secure a stunning victory! Was it to anyone’s surprise that as time went on, the work of Parliament was reduced to a farce? Or as one prominent opposition MP echoed, was it a “<i>rass</i>”? Long live the Kabaka!</font></div>
<div><font size="2" color="#000000">Restoration of Democracy</font></div>
<div><font size="2" color="#000000">Apparently, everything eventually comes to an end. Guyanese were more than fed up with the dictatorial racist PNC regime and demanded change. Thanks to agitation from Guyanese (of all races) both at home and abroad, this undemocratic black dictatorship finally came to an end in 1992. The election brought to office the PPP/C, a multiracial coalition with the PPP being the major partner. As expected, there were unbridled euphoria and tremendous excitement at the defeat of the incompetent and self-serving PNC regime. The days of the Co-operative Republic of Guyana, the PNC’s stranglehold on the national economy and the universally hated National Service all came to an abrupt end. After what they’d gone through, Guyanese expected changes for the better. But by then, more Guyanese had already been settled abroad than those living at home. Therefore, one result was that our country was deprived of their talents and capital. Thus, it would take time for this debt-laden country to get back on its financial feet. However, a few years later, the passing of the much loved and highly respected <i>President and Father of the Nation</i>, Dr. Cheddi Jagan was a loss to the country. Not unexpectedly, the honeymoon for the PPP/C period faded quickly.</font></div>
<div><font size="2" color="#000000">Guyana at the Crossroads</font></div>
<div><font size="2" color="#000000">Many of us may wish to interpret these changes as signs of better times to come. However, after nearly forty-two years of independence from Britain, are we currently witnessing an unraveling of the fabric of racial cohesion in our country? Is the other motto: <i>“One People, One Nation, One Destiny”</i> quickly losing its relevance? </font></div>
<div><font size="2" color="#000000">Perhaps a look at recent events may be of interest.</font></div>
<div><font size="2" color="#000000">Only last month, most Guyanese were appalled by cold-blooded massacres—first at Lusignan where people of Indian origin were targeted. Then one week later came the Bartica massacre where Guyanese of many races lost their lives. As usual, the PPP/C government attributed these incidents to the work of criminal elements and bandits. Of course, not everyone shares this view. </font></div>
<div><font size="2" color="#000000">Who may be behind the crimes and the massacres? Sure the Police often make token arrests to allay public fears, but only to release those arrested for the lack of evidence. </font></div>
<div><font size="2" color="#000000">Are these and other criminal acts random or are they centrally directed? Are these acts the work of career criminals? Or are these the work of those who refuse to accept the outcome in democratic elections for Parliament, and now choose the bullet to the ballot? </font></div>
<div><font size="2" color="#000000">This much we do know:</font></div>
<div><font size="2" color="#000000">Shortly after 1992 General Elections, the defeated PNC President Desmond Hoyte wasn’t happy with the results. He then became a critic of the “Indo-Guyanese political establishment”, symbolized by Dr. Cheddi B. Jagan and his American-born wife, Janet, who succeeded him as President in 1998. Opponents often accused Mr. Hoyte of trying to make Guyana ungovernable through protests over the supposed exclusion of Afro-Guyanese from important political posts. (</font><a rel="nofollow" target="_blank" href="http://query.nytimes.com/gst/fullpage.html?res=9806E6D8163FF93AA15751C1A9649C8B63"><u><font size="2" color="#000000">http://query.nytimes.com/gst/fullpage.html?res=9806E6D8163FF93AA15751C1A9649C8B63</font></u></a><font size="2" color="#000000">).</font></div>
<div><font size="2" color="#000000">As the situation has developed ever since, fears of “more fire” and “slow fire” haven’t been exaggerated!</font></div>
<div><font size="2" color="#000000">Violence against Indians</font></div>
<div><font size="2" color="#000000">Those of us who lived through the 1960’s can attest to those turbulent years when a single day seemed like an age! For the younger generation, a review of history books suggests that attacks on Indians were nothing new. During the 1964 Wismar “disturbances”, Indians were killed and others forced to leave the Mackenzie-Wismar (Linden) area. Was this massacre and the forced departure of survivors a classic example of “ethnic cleansing”? And was it an organized plan to drive Indians away from an “African” stronghold? Certainly, Guyana is becoming infamous for many things. Since 1998, violence against Indians has been on the rise. Can we expect more politically motivated acts of violence?</font></div>
<div><font size="2" color="#000000">Africans the Rightful Heirs? </font></div>
<div><font size="2" color="#000000">Are acts of violence against Indians in Guyana of recent origins? Not really. This time though the violence may be politicized. Starting in the middle of the last century and more recent times in Lusignan, the continuing violence targeting Indians suggests a political motive for the violence: the idea that Africans are the rightful inheritors of the country after British, and that they are being “dispossessed” of their inheritance by Indians. Some elements apparently still view Indians as aliens or, and at best should be second-class citizens, with no right to govern a Guyana that rightfully belongs to Africans. True, politicians of Indian ancestry are in the ruling multiracial PPP/C, but this party seems to be in office only, and not necessarily wielding real power. Thanks to those with a racial mindset that refuses to accept the results of democratic elections?</font></div>
<div><font size="2" color="#000000">The fact of the matter is that despite the continuing exodus, the numerical superiority of Indians coupled with free and fair elections all present a threat to those Africans who dream of dominating Guyana as in the “Kabaka” days. But really, are violent acts against Indians helping their cause? </font></div>
<div><font size="2" color="#000000">The dilemma facing Indians has been in the making for 170 years now. Racial cohesion and superficial harmony are being tested in the<i> “Land of Six Peoples”. </i>As Guyanese share the same space and country, are there valid reasons for us all to work towards the ideal of <i>“One People, One Nation, One Destiny?</i> </font></div>
<div><font size="2" color="#000000">Is the present unitary state still practical? Or a federated one a more viable option? If not, should our leaders look at a more inclusive form of governance? </font></div>
<div><font size="2" color="#000000">Indeed, what our country desperately needs are leaders with a vision for the future survival of the Guyana as a viable nation.</font></div>
<div><font size="2" color="#000000">Incidentally, it was Mr. Burnham who adopted the constitution that made himself executive president in 1980.</font></div>
<div><font size="2" color="#000000">Since than, many of us have been asking: <i>Quo vadis</i>? <i>Where are we headed</i>?</font></div>
<div><font size="2" color="#0000ff">[Dr. Roop Misir is an Indo-Guyanese Canadian Teacher with the Toronto District School Board. You may contact him at </font><a rel="nofollow" target="_blank" href="http://us.f542.mail.yahoo.com/ym/Compose?To=roop.misir@gmail.com"><u><font size="2" color="#0000ff">roop.misir@gmail.com</font></u></a><font size="2" color="#0000ff">].</font></div>
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<div class="MsoNormal"><span style="font-size:11pt;color:#1f497d;font-family:'Calibri', 'sans-serif';"><font color="#000000">You are invited to a <font size="4" color="#0000bf">Bhagawad Gita  Course</font> at the Chinmaya Ashram </font></span></div>
<div class="MsoNormal"><span style="font-size:11pt;color:#1f497d;font-family:'Calibri', 'sans-serif';"><font color="#000000">by Swami Prakasahananda, Resident Acharya at the <span style="cursor:hand;border-bottom:#0066cc 1px dashed;" class="yshortcuts">Chinmaya Mission,<br />
</span></font></span><span style="font-size:11pt;color:#1f497d;font-family:'Calibri', 'sans-serif';"><font color="#000000"><span style="cursor:hand;border-bottom:#0066cc 1px dashed;" class="yshortcuts">T</span><span style="cursor:hand;border-bottom:#0066cc 1px dashed;" class="yshortcuts">rinidad and Tobago</span> starting on Sunday 9<sup>th</sup> March.  Swamiji will start with </font></span></div>
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<div class="MsoNormal"><span style="font-size:11pt;color:#1f497d;font-family:'Calibri', 'sans-serif';"><font color="#000000">the Gita Dhyanam and will progressively cover the entire text.  He will give </font></span></div>
<div class="MsoNormal"><span style="font-size:11pt;color:#1f497d;font-family:'Calibri', 'sans-serif';"><font color="#000000">Translations and commentaries on the text including the commentaries </font></span></div>
<div class="MsoNormal"><span style="font-size:11pt;color:#1f497d;font-family:'Calibri', 'sans-serif';"><font color="#000000">AdiShankaracharya and others.</font></span></div>
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<div class="MsoNormal"><span style="font-size:11pt;color:#1f497d;font-family:'Calibri', 'sans-serif';"><font color="#000000">Please invite all you friends and relatives as well. </font></span></div>
<div class="MsoNormal"><span style="font-size:11pt;color:#1f497d;font-family:'Calibri', 'sans-serif';"><font color="#0060bf">Start Date:          9<sup>th</sup> March 2008</font></span></div>
<div class="MsoNormal"><span style="font-size:11pt;color:#1f497d;font-family:'Calibri', 'sans-serif';"><font color="#0060bf">Class Days:          Every Sunday</font></span></div>
<div class="MsoNormal"><span style="font-size:11pt;color:#1f497d;font-family:'Calibri', 'sans-serif';"><font color="#0060bf">Class Time:          8:00 a.m.  to 9:00 a.m. (the class starts after morning puja, which starts at 7:30 a.m., is completed)</font></span></div>
<div class="MsoNormal"><span style="font-size:11pt;color:#1f497d;font-family:'Calibri', 'sans-serif';"><font color="#0060bf">Course Duration:              Indefinite, until completion of the text.</font></span></div>
<div class="MsoNormal"><span style="font-size:11pt;color:#1f497d;font-family:'Calibri', 'sans-serif';"><font color="#0060bf">Course Fees:      No charge.  Donation are accepted gratefully</font></span></div>
<div class="MsoNormal"><span style="font-size:11pt;color:#1f497d;font-family:'Calibri', 'sans-serif';"><font color="#0060bf">Location:              Chinmaya Ashram</font></span></div>
<div class="MsoNormal"><span style="font-size:11pt;color:#1f497d;font-family:'Calibri', 'sans-serif';"><font color="#0060bf">                               #1 Swami Chinmayananda Drive, <span style="cursor:hand;border-bottom:#0066cc 1px dashed;" class="yshortcuts"><font color="#000000">Calcutta</font></span> #1, Mc Bean, <br />
                              Couva. TRINIDAD</font></span></div>
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<span><font size="2"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><font size="2" color="#00007f"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"><span><span style="font-size:21pt;line-height:100%;"><span style="color:blue;"><font size="3">INDOCARIBBEAN TIMES &#8211; Current issue is available here:</font></span><font color="#000000"> </font></span><br />
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<div style="margin:0;" class="MsoTitle"><font color="#000000"><font color="#0000ff">BOLLYWOOD plays HOLI:</font><br />
Hema Malini in SHOLAY (above)</font></div>
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<div style="margin:0;" class="MsoTitle"><font color="#000000">Dharmendra and Waheeda Rahman in PHAGUN (below)</font></div>
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<div style="margin:0;" class="MsoTitle"><span><font size="2"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><font size="2" color="#00007f"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"></span></span></span></span></span></font></span></span></span></span></font></span><span><font size="2"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><font size="2" color="#00007f"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"><font size="+0"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><font color="#000000"></font></span></span></font></span></span></span></span></span></font></span></span></span></span></font></span></div>
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<div align="left"><span><font size="2"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><font size="2" color="#00007f"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"><font size="+0"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><font color="#000000">FREE ONLINE RADIO from <span style="cursor:hand;border-bottom:#0066cc 1px dashed;" class="yshortcuts">TRINIDAD</span></font></span></span><br />
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<div class="MsoNormal"><span><font size="2"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><font size="2" color="#00007f"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"></span></span></span></span></span></font></span></span></span></span></font></span><span><font size="2"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><font size="2" color="#00007f"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"></span></span></span></span></span></font></span></span></span></span></font></span><span><font size="2"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><font size="2" color="#00007f"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"></span></span></span></span></span></font></span></span></span></span></font></span><span><font size="2"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><font size="2" color="#00007f"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"></span></span></span></span></span></font></span></span></span></span></font></span></div>
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<div align="left"><span><font size="2"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><font size="2"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"><font color="#000000"><span style="color:red;"><span style="font-size:14pt;line-height:100%;">FREE ONLINE RADIO from <span style="cursor:hand;border-bottom:#0066cc 1px dashed;" class="yshortcuts">FIJI</span></span></span><br />
</font><font size="+0"><span style="color:blue;">Radio <span style="cursor:hand;border-bottom:#0066cc 1px dashed;" class="yshortcuts"><font color="#000000">Fiji</font></span> Two<br />
Radio Mirchi</span><br />
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<div align="left" style="margin:10px;"> ~~~~~~~<br />
<span style="font-size:14pt;line-height:100%;"><span style="color:blue;">HINDU WISDOM</span></span><br />
<img border="0" src="http://images.google.tt/images?q=tbn:0GFynzSLrMsJ:www.yogamovement.com/resources/images/aum.jpg" alt="user posted image" /></div>
<div align="left" style="margin:10px;"><font face="Verdana">As an eagle, weary after soaring in the sky, folds its wings and flies down to rest in its nest, so does the shining Self enter the state of dreamless sleep, where one is freed from all desires.<br />
<font size="2" color="#ff0000">-Brihadaranyaka Upanishad</font></font></div>
<div align="left" style="margin:10px;"><font face="Verdana">Prayer is not asking. It is a longing of the soul. It is daily admission of one&#8217;s weakness. It is better in prayer to have a heart without words than words without a heart.<br />
<font size="2" color="#ff0000">-<span style="cursor:hand;border-bottom:#0066cc 1px dashed;" class="yshortcuts"><font color="#000000">Mahatma Gandhi</font></span>, 1930</font></font></div>
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<div align="left" style="margin:10px;"><font face="Verdana">Brahman creates the game of life by breaking Himself into parts that undergo transformation and extinction.<br />
Yet while he takes on all the roles required by the game, He also always remains free of the game and intact as Brahman.<br />
<font size="2" color="#ff0000">-Abhinavagupta</font></font><br />
<font face="Verdana"><font color="#ff0000"><font color="#993300"><font color="#000000"> </font></font></font></font> <span><font size="2"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><font size="2"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"><font size="2" color="#000000"><font face="Times New Roman">~~~~~~~~~</p>
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</span></font><font size="+0"><font color="#000000"><span style="color:blue;"><span style="cursor:hand;border-bottom:#0066cc 1px dashed;" class="yshortcuts"><span style="cursor:hand;border-bottom:#0066cc 1px dashed;" class="yshortcuts">V S NAIPAUL</span></span>: A Tribute </span><br />
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<div class="story-body"><font size="5" color="#ff0000">An Agent, a Green Card, and a Demand for Sex</font></p>
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<form target="_blank" action="https://s100.copyright.com/CommonApp/LoadingApplication.jsp" name="cccform"><font size="2">No problems so far, the </font><a rel="nofollow" target="_blank" href="http://topics.nytimes.com/top/reference/timestopics/subjects/i/immigration_and_refugees/index.html?inline=nyt-classifier" title="More articles about immigration."><font size="2" color="#004276">immigration</font></a><font size="2"> agent told the American citizen and his 22-year-old Colombian wife at her green card interview in December. After he stapled one of their wedding photos to her application for legal permanent residency, he had just one more question: What was her cellphone number?</font></form>
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<h5><img border="0" width="13" src="http://graphics8.nytimes.com/images/multimedia/icons/audio_icon.gif" alt="Audio" height="10" /> A Secret Recording</h5>
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<div><font size="2">The calls from the agent started three days later. He hinted, she said, at his power to derail her life and deport her relatives, alluding to a brush she had with the law before her marriage. He summoned her to a private meeting. And at noon on Dec. 21, in a parked car on Queens Boulevard, he named his price — not realizing that she was recording everything on the cellphone in her purse.</font></div>
<div><font size="2">“I want sex,” he said on the recording. “One or two times. That’s all. You get your green card. You won’t have to see me anymore.” </font></div>
<div><font size="2">She reluctantly agreed to a future meeting. But when she tried to leave his car, he demanded oral sex “now,” to “know that you’re serious.” And despite her protests, she said, he got his way. </font></div>
<div><font size="2">The 16-minute recording, which the woman first took to The New York Times and then to the Queens district attorney, suggests the vast power of low-level immigration law enforcers, and a growing desperation on the part of immigrants seeking legal status. The aftermath, which included the arrest of an immigration agent last week, underscores the difficulty and danger of making a complaint, even in the rare case when abuse of power may have been caught on tape. </font></div>
<div><font size="2">No one knows how widespread sexual blackmail is, but the case echoes other instances of sexual coercion that have surfaced in recent years, including agents criminally charged in Atlanta, Miami and Santa Ana, Calif. And it raises broader questions about the system’s vulnerability to corruption at a time when millions of noncitizens live in a kind of legal no-man’s land, increasingly fearful of seeking the law’s protection.</font></div>
<div><font size="2">The agent arrested last week, Isaac R. Baichu, 46, himself an immigrant from Guyana, handled some 8,000 green card applications during his three years as an adjudicator in the Garden City, N.Y., office of United States Citizenship and Immigration Services, part of the federal </font><a rel="nofollow" target="_blank" href="http://topics.nytimes.com/top/reference/timestopics/organizations/h/homeland_security_department/index.html?inline=nyt-org" title="More articles about the Homeland Security Department."><font size="2" color="#004276">Department of Homeland Security</font></a><font size="2">. He pleaded not guilty to felony and misdemeanor charges of coercing the young woman to perform oral sex, and of promising to help her secure immigration papers in exchange for further sexual favors. If convicted, he will face up to seven years in prison.</font></div>
<div><font size="2">His agency has suspended him with pay, and the inspector general of Homeland Security is reviewing his other cases, a spokesman said Wednesday. Prosecutors, who say they recorded a meeting between Mr. Baichu and the woman on March 11 at which he made similar demands for sex, urge any other victims to come forward.</font></div>
<div><font size="2">Money, not sex, is the more common currency of corruption in immigration, but according to Congressional testimony in 2006 by Michael Maxwell, former director of the agency’s internal investigations, more than 3,000 backlogged complaints of employee misconduct had gone uninvestigated for lack of staff, including 528 involving criminal allegations. </font></div>
<div><font size="2">The agency says it has tripled its investigative staff since then, and counts only 165 serious complaints pending. But it stopped posting an e-mail address and phone number for such complaints last year, said Jan Lane, chief of security and integrity, because it lacks the staff to cull the thousands of mostly irrelevant messages that resulted. Immigrants, she advised, should report wrongdoing to any law enforcement agency they trust.</font></div>
<div><font size="2">The young woman in Queens, whose name is being withheld because the authorities consider her the victim of a sex crime, did not even tell her husband what had happened. Two weeks after the meeting in the car, finding no way to make a confidential complaint to the immigration agency and afraid to go to the police, she and two older female relatives took the recording to The Times&#8230;. continued at:</font></div>
<div><font size="2"><span><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"><a rel="nofollow" target="_blank" href="http://jahajeedesi.blogspot.com/"><strong><font size="2" color="#000000"><span class="yshortcuts">http://jahajeedesi.blogspot.com/</span></font></strong></a></span></span></span></span></span></span></span></span></span></span><span><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"></span></span></span></span></span></span></span></span></span></span><span><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"></span></span></span></span></span></span></span></span></span></span><span><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span><font size="3" color="#000000"><span style="color:red;"><span style="font-size:14pt;line-height:100%;"><span style="color:blue;"><span style="color:red;"><span style="color:red;"> </span></span></span></span></span></font></span></span></span></span></span> </font></div>
<div><a rel="nofollow" target="_blank" href="http://www.nytimes.com/2008/03/21/nyregion/21immigrant.html"><font size="2" color="#247cd4">http://www.nytimes.com/2008/03/21/nyregion/21immigrant.html</font></a></div>
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<div class="story-body"><font color="#ff0000">FREE TIBET, Now!   Stop CHINESE BRUTALITY</font><br />
<font size="2">Dear Friends:<br />
</font><font size="2">China has denied entry to the media but reports emanating from Lhasa and other parts of Tibet describe Chinese brutality and violent repression of the Tibetan monks and people of Tibet.  The fact that the government in Beijing can do so freely, with relative impunity, is absolutely galling, and a shameless indictment against nations who trade with China.  Here is Amnesty International&#8217;s latest report:</font></div>
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<div class="date-header"><font size="2" color="#0000ff">China: Concern grows over crackdown on Tibetan protesters<br />
</font><font size="2" color="#0000ff">Amnesty International today condemned the harsh crackdown on peaceful protesters in the Tibetan capital, Lhasa. According to eyewitness reports, on 11 March, Chinese police used teargas and electric prods to disperse 500 demonstrators, who were seeking the release of fellow monks held after the previous day’s protests.</font></div>
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<div><font size="2" color="#0000ff">On 10 March, it was reported that 11 protesters, including nine monks, were severely beaten and detained outside Tsuklakhang cathedral in central Lhasa. They had been demonstrating to mark the 49th anniversary of the Dalai Lama&#8217;s flight from Tibet after his failed rebellion against Chinese rule. Some 50 monks have also been detained across the capital.</font></div>
<div><font size="2" color="#0000ff">“Demonstrators have a right to protest peacefully. China violates international human rights standards in denying their freedom of assembly and freedom of expression,” said Amnesty International’s Asia-Pacific Deputy Program Director Tim Parritt. </font></div>
<div><font size="2" color="#0000ff">“Amnesty International condemns human rights abuses wherever they occur: on the streets of Beijing or the mountains of Tibet.” </font></div>
<div><font size="2" color="#0000ff">Amnesty International calls on China to release immediately all those detained for peacefully exercising their rights.</font></div>
<div><a rel="nofollow" target="_blank" href="http://www.amnesty.org/en/for-media/press-releases/china-concern-grows-over-crackdown-tibetan-protesters-20080312"><font size="2" color="#003399">http://www.amnesty.org/en/for-media/press-releases/china-concern-grows-over-crackdown-tibetan-protesters-20080312</font></a></div>
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<h2 class="date-header"><font size="2">To remind everyone: Tibet is not a part of China. China has occupied Tibet since 1959, when the Communists invaded the country in order to seize control of it&#8217;s vast natural resources. Over the course of the last 49 years, China has ruled Tibet with an iron thumb, depriving its citizens of basic civil rights, while settling ethnic Chinese in the country. </font></h2>
<h2 class="date-header"><font size="2">Western nations should feel ashamed that they continue to legitimate China&#8217;s occupation of Tibet by continuing to do business with it. We should freeze China&#8217;s assets, and refuse to purchase products made in China in response to it&#8217;s illegal and undemocratic colonial administration of Tibet. It&#8217;s time to boycott Beijing, even if it hurts our economy to do so. China is another apartheid state like the former South African regime, or its client state of Myanmar today. </font></h2>
<h2 class="date-header"><font size="2">It&#8217;s time the West forced it to start playing by the rules, so that it behaved like a real democracy. If China wants to become a member of the family of nations, it has to start behaving like one. As the Dalai Lama has repeatedly said, nothing else will do.<br />
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BOYCOTT CHINESE GOODS and THE SUMMER OLYMPICS in China.  </font></h2>
<h2 class="date-header"><font size="2">China must be treated as a pariah nation unless Tibetans are allowed freedom and independence. Get involved and participate in protests and demonstrations against China throughout the world.</font></h2>
<h2 class="date-header"><a rel="nofollow" target="_blank" href="http://tibet97.blogspot.com/"><font size="2" color="#003399">http://tibet97.blogspot.com/</font></a></h2>
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<div><strong><font size="2">Deosaran Bisnath,<br />
Member,<br />
Amnesty International</font></strong></div>
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<font color="#000000"><span style="color:blue;">Webpages and Forum dedicated to the NOBLE LAUREATE</span><br />
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<div align="left" style="margin:10px;"><font size="3" color="#ff0000"><font size="4" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular">Stop misleading the world<br />
</font><font size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular"><font color="#000000">The Stabroek News reprinted in its issue of Thursday, March 13, 2008, an editorial from the Trinidad Express with the caption: “Will <span class="yshortcuts">Guyana</span> ever truly be free?” no doubt on the urging of the Stabroek.<br />
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<div><font size="2" color="#000000" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular">But let me say in response to the caption that <span class="yshortcuts">Guyana</span> will really truly be free, when that very freedom which is so cherished and is currently being enjoyed, experienced and propagated by the PPP/C Government, stops being abused by newspapers like the Stabroek News, to mislead the world that freedom of the press is being suppressed in our <span class="yshortcuts">Guyana</span>.<br />
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<div><font size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular"><font color="#000000">Has it not yet occurred to the Stabroek News that their chances of being reprieved on the issue of placement of advertisements are for them to withdraw their false and wicked allegations against the government?<br />
DAVID DE GROOT</font></font></div>
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<h3><a name="2" rel="nofollow"></a><a rel="nofollow" target="_blank" href="http://www.hinduismtoday.com/hpi/2008/3/19#3.shtml" title="external link"><font color="#003399"><span class="yshortcuts"><font color="#000000">Premier of Ontario, Canada, Asks For a More Comprehensive Prayer</font></span> </font></a></h3>
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<div>TORONTO, CANADA, March 19, 2008: (Via Religion News Service) The premier of Ontario has dropped a political hot potato with his recent announcement that the daily recitation of the Lord&#8217;s Prayer in the provincial legislature should be dropped. &#8220;It&#8217;s time for us to ensure that we have a prayer that better reflects our diversity,&#8221; Dalton McGuinty, a Liberal Party member, said last month. &#8220;The members of the Ontario Legislature reflect the diversity of <span style="cursor:hand;border-bottom:#0066cc 1px dashed;" class="yshortcuts">Ontario</span> &#8212; be it Christian, Jewish, Hindu, Muslim, Sikh or agnostic. It is time for our practices to do the same.&#8221;</p>
<p>Canadian leaders have been increasingly more supportive of religious pluralism. In 2007, at the opening of the Swaminarayan Mandir in <span style="cursor:hand;border-bottom:#0066cc 1px dashed;" class="yshortcuts">Toronto</span>, McGuinty said &#8220;<span style="cursor:hand;border-bottom:#0066cc 1px dashed;" class="yshortcuts">Toronto</span> is a place where people from all over the world can come together to create something beautiful &#8212; a strong and diverse society.&#8221; At the same event, Canada&#8217;s <span style="cursor:hand;border-bottom:#0066cc 1px dashed;" class="yshortcuts">Prime Minister Stephen Harper</span> said &#8220;Today we celebrate one of our country&#8217;s greatest strengths&#8211;its commitment to pluralism.&#8221;</p>
<p>McGuinty&#8217;s proposal has touched off a decidedly religious debate in largely secular <span style="cursor:hand;border-bottom:#0066cc 1px dashed;" class="yshortcuts">Canada</span>, and one that echoes similar fights <span style="cursor:hand;border-bottom:#0066cc 1px dashed;" class="yshortcuts">south of the border</span> over the proper role of religion in civic spheres.</p>
<p>he U.S. debate, for the most part, has not centered on the Lord&#8217;s Prayer but on other references to the divine &#8212; specifically, whether civic councils can open with prayers that end &#8220;in Jesus&#8217; name.&#8221; That&#8217;s the fight playing out in a federal appeals court in Richmond, Va.</p></div>
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<font size="3"><span style="color:blue;">Inspiration</span><br />
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<font color="#000000">What is Dharma? Dharma is that which lifts up the falling man and<br />
enables him to reach God. Dharma in reality is no other than<br />
unflinching devotion to God. What is called Dharma for achieving<br />
worldly ends, such as health, wealth, or progeny, is not really<br />
Dharma; it is Dharma only in a secondary sense.<br />
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<div style="text-indent:0.5in;" class="MsoNormal"><font color="#000000">Who Can Give Peace? Only he who knows the will of God can give peace to another. When Dharmaputra was feeling dejected that he had killed so many people in war, any amount of advice given by learned and wise Rishis who did not know the will of God, proved to be of no avail. Dharmaputra continued to be sad; he did not get peace of mind till he had his doubts cleared by the Sage Bhishma.<br />
- Sri Swami Sivananda</font></div>
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<h1><font color="#00007f">Word of the Week</font></h1>
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<h1><font size="3">PICHAKAAREE</font><font size="2">, <i>noun</i>:  shiny brass instrument which looks like a large syringe. It is traditionally used in Phagwa to squirt abeer – coloured water - on participants at phagwa celebrations. </font></h1>
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<div><font color="#000000">The word pichakaaree is often used in many phagwa songs to record the playful aggression re enacted by in phagwa as the participants shoot abeer on each other. The lyrics the most popular phagwa song, ‘Holi kheka Raghubeera,’ which is often looked upon as the anthem of phagwa holds, ‘Rama ke haathe kanak pichakaaree – Rama holds in His had a golden pichakaaree.” </font></div>
<div><font color="#000000">The abeer is made up of a vegetable crystal which is prepared by boiling the chrystals in water. Abeer is transported in large tins and containers to the venues of ‘play’. Locally pichakaarees are made out of PVC pipes and plastic bottles.</font></div>
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<div><font color="#000000">HOW THE SONGS CAME TO BE CALLED ‘PICHAKAAREE’</font></div>
<div><font color="#000000">The original name of the song was Local Phagwa Composition. Many factors contributed to the naming of the songs as Pichakaaree.</font></div>
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<li><font color="#000000">Kendra Phagwa Festival continues to cherish the traditional songs called chowtaal. The lyrics of chowtal communicated ideas and moods of India. It also provides the community with a source for information on the religion and couture. </font></li>
<li><font color="#000000">The jahajee community originally possessed almost ten languages eventully lost – all these languages. </font></li>
<li><font color="#000000">Songs had to be composed in the language which they now possessed; English. </font></li>
<li><font color="#000000">In order to preserve at least words and phrases through this new form, rules were laid to ensure that composers use Indian words. </font></li>
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<li><font color="#000000">The need which inspired the naming of this genre of songs as’pichakaaree’ came from the need to address through songs, the need for recording for posterity the experiences of the community as it addresses life in the context of its present space an time; modern day Trinidad and Tobago and the wider Caribbean. </font></li>
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<li><font color="#000000">A common image visible in all phagwa celebration inspired the naming of pichakaaree; </font></li>
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<div><font color="#000000">The nozzle of the pichakaaree is placed in a container of abeer located where one is standing. The player draws in the abeer into the belly of the pichakaaree, points it at a target and squirts out the warm, colourful liquid.</font></div>
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<div><em>Out of purity and silence come words of power.</em><br />
<font color="#0000ff">Swami Chinmayananda (1916-1993), founder of </font><font color="#000000"><span style="background:none transparent scroll repeat 0 0;cursor:hand;border-bottom:#0066cc 1px dashed;" class="yshortcuts">Chinmaya Mission</span><br />
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		<title>PHAGWA PICHAKAAREE 2008</title>
		<link>http://hinducouncilofthecaribbean.wordpress.com/2008/03/21/phagwa-pichakaaree-2008/</link>
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		<pubDate>Fri, 21 Mar 2008 12:05:09 +0000</pubDate>
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		<description><![CDATA[Please find attached and pasted below details of PHAGWA PICHAKAAREE 2008 Courtesy Raviji       SOCIAL AND CULTIURAL DYNAMICS OF PHAGWA AND PICHAKAAREE IN TRINIDAD AND TOBAGO – by Raviji  (KENDRA PHAGWA FESTIVAL 2008 IS DEDICATED TO THE LUSIGNAN AND BATiCA MASSACRES IN GUYANA. PICHAKAAREE CALLS ON THE CARIBBEAN TO BEWARE OF THE DEMISE OF DEMOCRACY AS [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=hinducouncilofthecaribbean.wordpress.com&amp;blog=2426476&amp;post=4&amp;subd=hinducouncilofthecaribbean&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<h1 align="center"><font size="3">Please find attached and pasted below details of PHAGWA PICHAKAAREE 2008</font></h1>
<div align="center"><font size="3">Courtesy Raviji</font></div>
<div align="center"></div>
<div align="center"></div>
<div>      SOCIAL AND CULTIURAL DYNAMICS OF PHAGWA AND PICHAKAAREE IN TRINIDAD AND TOBAGO – by Raviji</div>
<div> (KENDRA PHAGWA FESTIVAL 2008 IS DEDICATED TO THE LUSIGNAN AND BATiCA MASSACRES IN GUYANA. PICHAKAAREE CALLS ON THE CARIBBEAN TO BEWARE OF THE DEMISE OF DEMOCRACY AS A WAY OF LIFE THREATENED BY CRIME IN THE CARIBBEAN.)</div>
<div><i>(This article examines an interpretation of the Pauranik narrative which is viewed as the origin of Phagwa Festival. It also examines Pichakaare, a new song genre, as an instrument to deliver a contemporary community voice within the received festival tradition brought to the Caribbean by indentured laboures from India to serve on colonial sugar plantations from 1845 &#8211; 1917.)</i></div>
<div>The twin island state of Trinidad and Tobago has harvested a diverse cultural heritage harvested from many civilizations. The Hindi-Indian heritage is one which provides an oceanic source for a complex and dynamic cultural diversity of its own. It has endured the colonial experience and struggled for recognition and the equal place promised by the National anthem with increasing success. But there has been great casualties. The community has turned to this cultural heritage for presenting and expressing itself. This has been part of the process to and shaping its identity and creating its voices.</div>
<div>Phagwa, also called, Holi or Rangotsava has claimed a special place for itself. This festival has been traditional categorized as a festival of the masses. Naturally, it is marked by lesser demands of the religious disciplines of a traditional religion. Even before entering this space well known for its carnival, Phagwa entertained features which are clearly close to carnival. This is perhaps why it is often referred as Indian Carnival. The host community however has always been cautious about this fearing an appropriation by a zeal to carnivalise everything within its grasp. That may cause phagwa to slip away making it prohibitive to its conservative host community.</div>
<div>All Hindu festivals however, have a spiritual centre a narrative from a shastra-sacred text which informs the festival. Phagwa has retained its spiritual centre which is expressed by adherence to astrology, ceremonies and fasts. It laso maintains the links with the Pauranik narratives from shaastras-sacred texts. This spiritual centre on one hand and the ribald nature of a festival of the masses provide a dynamic tension and a balance between the sacred ansd the profane. The spiritual centre allows for the festival to go thus far but reins it in when it threatens to travels too far on the paths of excesses.</div>
<div>The kathaa-narrative is of boy-saint, Prahlad, whose faith and resistance led to a revolution against his tyrannical father, Emperror Hiranyakashipu. Hiranyakashipu was a powerful ruler who wanted to convert all Hindus from the worship of Bhagvaan Vishnu. He even declared himself God and demanded all his subjects to worship him. Al except his son, Prahalad were converted by force.</div>
<div>Hiranyakashipu persecuted his young son for his faith in Bhagwan Vishnu of whom Lord Rama and Lord Krishna are avataaras. When his personal admonitions were useless to dissuade Prahlad from his Hindu faith, Hiranyakshipu, recruited teachers to brainwash Prahlaad and convert him. When that too failed, he recruited soldiers to destroy Prahlad through violent means.</div>
<div>In the end, Hiranyakashipu went to his sister Holika, Prahlaad’s aunt, to help him destroy Prahlad. Holika had a boon which prevented fire from burning her. She sat on a pyre of fire holding Prahlaad on her laps. Prahlaad was unshakeable in his faith in Bhagvaan Vishnu. In the end, when the fire subsided, Holika was burnt to ashes while Prahlaad walked away from the pyre, unscathed. The people went wild with joy at the demonstration of faith.</div>
<div>These features of the narrative inform the folks of the nature of society and the human condition. In this case, the society view the danger of tyranny when the state may recruit the education system and the power of the military to secure tyrannical rule; like colonialism. All these ideas seed the culture of Phagwa with opportunities to build cultural expression to carry a discourse to the masses through a popular method. Pichakaaree takes its mandate from this value embedded in phagwa.</div>
<div>The ribald nature and freedom of expression makes Phagwa an explosive and colourful festival. A central feature is the free mixing of the leveling of people during Phagwa. This is best dramatised by the end result of the constant drenching of each other in different colours where everybody looks alike. Phagwa is an attempt to level all differences into the moving experience of One Humanity. It is also a time of mischief and playfully taking liberties with each other accompanied by the slogan in which all join – “Buraa naa maan – holi hai! – Take no offence, it is holi time!” This allows for phagwa songs and verses to be sung as vyang, equivalent to what we call in TT, picong and social commentary.</div>
<div>Kendra Phagwa Festival has always been conscious of the need to celebrate the values and cultural identity embedded in the received heritage of Hindu festivals in Trinidad and Tobago. The festival has also been shaped to give space for active demonstration to the needs of the Hindu of today in the context of Trinidad and Tobago in particular and the Caribbean in general.</div>
<div>It is for this reason that the Kendra Phagwa Festival encourages the traditional songs called chowtal, but has also consciously developed “pichakaaree,” – an expression directed to serving the need for recording, interpreting and celebrating matters arising in the Caribbean. Conscious attempts are made to integrate the formal English language and the local dialect as well as to secure a space for expressions from Indian languages. This is an attempt to deliver a local voice dedicated to Trinidad and Tobago, the Caribbean and wider humanity.</div>
<div>                        <b>DEDICATION PHAGWA 2008</b></div>
<div>It is in pursuit of the recognition of and deep concern for this Caribbean space as the nursery of our development that we have dedicated Kendra Phagwa Festival 2008 as a vehicle to highlight the threat that crime has visited on our cherished democracy and way of life. For this reason, Kendra Phagwa Festival is dedicating Phagwa 2008 to the Lusignan and Batica Massacres in Guyana that horrified the peoples of the Caribbean. This is to suggest that Trinidad and Tobago is concerned about the state of Guyana, Barbados, Bahamas and Jamaica as it is for our own nation. It is becoming more evident that crime is impacting on the democratic way of life. Pichakaaree 2008 hopes that by publicly alerting the Caribbean of this issue, the region would pull together to save democracy from the increasing tyranny of crime even as the Prahlaad was saved from the tyranny of Hiranyakashipu.</div>
<div>Kendra Phagwa Festival in 2001 was inspired by Prahlaad’s stand against his father the mighty Emperror Hiranyakashipu, to take a stand against use of alcohol at Phagwa. KENDRA PHAGWA FESTIVAL continues the stand taken 17 years ago that declared The Kendra Phagwa Festival, a NO ALCOHOL ZONE.</div>
<div>This stand was taken at the inception of the Kendra Phawa Festival in 2001 and continues today. Use of alcohol had almost ruined phagwa some years ago because it became increasingly unsafe for families to go to various venues.</div>
<div>      <b>KENDRA PHAGWA FESTIVAL IS NO ALCOHOL ZONE</b></div>
<div>TAKING A STAND is inspired by the origin of phagwa itself. Taking a principled stand is one way to celebrate Prahlaad, the boy-saint hero of the story of the origins of Phagwa. Prahlaad took a stand against his father’s demand that all must convert from the Hindu Way of Life of worship to Bhgvan Vishnu and worship him, Emperor Hiranyakashipu. He was persecuted by his father, the state, the military and by the education system because of his stand.</div>
<div>In the midst of all the celebrations, therefore, phagwa invites us to take a community stand against the all pervasive use of alcohol at community events. All participants must be vigilant to ensure the development of phagwa into an attractive festival. One of the elements for ensuring a comfortable environment is for all to eschew alcohol and discourage others from abusing the community efforts including Kendra Phagwa Festival.</div>
<div>raviji</div>
<h1>PICHAKAAREE</h1>
<div>A pichakaaree, is a shiny brass instrument which looks like a large syringe. It is traditionally used in Phagwa to squirt abeer – coloured water - on participants at phagwa celebrations. The word pichakaaree is often used in many phagwa songs to record the playful aggression re enacted by in phagwa as the participants shoot abeer on each other. The lyrics the most popular phagwa song, ‘Holi kheka Raghubeera,’ which is often looked upon as the anthem of phagwa holds, ‘Rama ke haathe kanak pichakaaree – Rama holds in His had a golden pichakaaree.”</div>
<div>The abeer is made up of a vegetable crystal which is prepared by boiling the chrystals in water. Abeer is transported in large tins and containers to the venues of ‘play’. Locally pichakaarees are made out of PVC pipes and plastic bottles.</div>
<div></div>
<div><b>HOW THE SONGS CAME TO BE CALLED ‘PICHAKAAREE’</b></div>
<div>The original name of the song was Local Phagwa Composition. Many factors contributed to the naming of the songs as Pichakaaree.</div>
<ol type="1">
<li>Kendra Phagwa Festival continues to cherish the traditional songs called chowtaal. The lyrics of chowtal communicated ideas and moods of India. It also provides the community with a source for information on the religion and couture.</li>
<li>The jahajee community originally possessed almost ten languages eventully lost – all these languages.</li>
<li>Songs had to be composed in the language which they now possessed; English.</li>
<li>In order to preserve at least words and phrases through this new form, rules were laid to ensure that composers use Indian words.</li>
</ol>
<ol type="1">
<li>The need which inspired the naming of this genre of songs as’pichakaaree’ came from the need to address through songs, the need for recording for posterity the experiences of the community as it addresses life in the context of its present space an time; modern day Trinidad and Tobago and the wider Caribbean.</li>
</ol>
<ol type="1">
<li>A common image visible in all phagwa celebration inspired the naming of pichakaaree;</li>
</ol>
<div>The nozzle of the pichakaaree is placed in a container of abeer located where one is standing. The player draws in the abeer into the belly of the pichakaaree, points it at a target and squirts out the warm, colourful liquid.</div>
<div>This image of drawing in the material from a container where the person is located, right at his feet, is exactly the metaphor r needed to define pichakaaree as an instrument which celebrates our own landscape. This would be a fitting compliment to the traditional chowtaal which which celebrated another landscape.</div>
<div>Further the play with pichakaaree instruments turns into many forms of play and mock battles which further strengthens pichakaaree as a metaphor for the local need.</div>
<div>Popular colours are red, blue, green and yellow.The pichakaaree leaves a signature of colour coming from within its belly, on walls, on the roads, on people, on whatever its target. This satisfies the need of the community to leave its mark on the landscape where they are located.</div>
<div>The name pichakaaree therefore symbolizes the idea of songs which seek to represent the voice, interests, concerns, history, emotions and creative instinct of a people and inform the society. The pichakaarees are sung in English but they must contain Hindi or Bhojpuri words and phrases. The Kendra Phagwa Festival started the pichakaaree song competition in 1992. This year we are 16 years old.</div>
<h1 align="center">‘PICHAKAAREE &#8211; BOILING DE ABEER’</h1>
<div>‘Boiling de Abeer’ is used figuratively to refer to the period used for composing the lyrics and melodies for the pichakaaree songs.</div>
<div>Boiling de abeer, referring to imformal workshops, begins on Vasant Panchami. The day celebrates the Birth Day of Mother saraswatti as well as the onset of the season of Spring. On this day the Phagwa season begins with a ceremony called Holikaa Aropanam or locally ‘Chook-o-likaa’;the planting of the castor oil tree.</div>
<div>The castor tree symbolically refers to Holika, one of the main characters in the origin of Phagwa. The community begins spring cleaning and deposits discarded material need to be burnt. A pyre is formed and burnt on the fullmoon night of the month of Phalguna. As the fire subsides, ashes is smeared on the foreheads of all then followed by throwing ashes on each other. This is followed by mud play then water. In this way, the festival uses the elements in its festival;fire, eareth and water.</div>
<div>The first offering of chowtaals and pichakaarees in praise of Maa Saraswati are sung on this day to seek her blessing. (Vasant Panchami and Saraswati Jayanti – birth fall on the same day)</div>
<div>From this day workshops are hosted nightly by the pichakaaree organizers for composers and singers to work on the lyrics and melodies of their songs. Many rivals could be seen listening to and making suggestions to each other to improve the compositions and the forum as a whole. This period which is symbolically called ‘Boiling the Abeer’ goes on for about one month prior to the competition.This year, due to the crime situation, most rehearsals were held during the days, on weekends.</div>
<div>Raviji 2008</div>
<div><a rel="nofollow" target="_blank" href="http://hinducouncilofthecaribbean.wordpress.com/group/CaribbeanTalk/post?postID=utM5Lgy6-btJpUk44_1LPBrAWrXhxMoZo61DjanL4FDAgR5wTtmGMEZQnLLH95buVdLpag9ucCZrKvq39tEjpw"><u><font color="#003399">Raviji@carib-link.net</font></u></a></div>
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<div>PICHAKAAREE WIDENS ITS SCOPE</div>
<div>By raviji</div>
<div>Pichakaaree draws its inspiration from the entire gamut of the phagwa festival even as it is informed of the needs of the communityin the context of Trinidad and Tobago and the wider Caribbean. In fact Pichakaaree is an attempt to deliver a local voice dedicated to Trinidad and Tobago, the Caribbean and wider humanity.</div>
<div>Pichakaaree as a forum must pursue an awareness of the wider Caribbean. Not only does the Caribbean culture affect the status of Indian Culture in Trinidad, but we share our resources in times of need. Pichakaaree must enter the discourse of the wider Caribbean.</div>
<div>The health of the Caribbean does affect the health of TT. Crime, in the Caribbean has its faal out in TT. Pichakaaree therefore must express its concern for the rising crime wave in the Caribbean. Voices from Jamiaca, Barbados, Guyana and Bahamas indicate that the democratic way of life is being incrementally threatened.</div>
<div>Kendra Phagwa Festival 2008 is therefore dedicated to THE LUSIGNAN-BATICA MASACRES IN GUYANA which has horrified the peoples of the Caribbean.</div>
<div>Phagwa celebrations is a national holiday in Guyana.We believe that this year, joyous spirit of phagwa will be greatly drowned by the Lusignan and Batica massacres. Our phagwa and pichakaaree in Trinidad and Tobago, fully cognizant of the pain in Guyana will also carry the burden of your pain and feelings of insecurity and our great concerns for Barbados, Bahamas and Jamaica even as we have deep concerns for Trinidad and Tobago.</div>
<div>Pichakaaree 2008 hopes that by publicly alerting the Caribbean of this issue, the region would pull together to save democracy from the increasing tyranny of crime even as the Prahlaad was saved from the tyranny of Hiranyakashipu in the story of the origin of Phagwa.</div>
<div>Raviji</div>
<div></div>
<div></div>
<div><b>KENDRA PHAGWA FESTIVAL 2008 – PICHAKAAREE FINALS </b></div>
<div><b>List: </b></div>
<div>1) CONTESTANTS IN ORDER OF APPEARANCE</div>
<div>2) BIO OF CONTESTANTS</div>
<div>3) EXCERPTS OF PICHAKAAREES – FINALS 2008</div>
<div><b>ORDER OF APPEARANCE FOR THE PICHAKAAREE COMPETITION</b></div>
<div><b>1 Mukesh Babooram</b></div>
<div><b>2 Mohip Poonwassie</b></div>
<div><b>3 Ravi Babooram</b></div>
<div><b>4 Pooja Ramoutar</b></div>
<div><b>5 Doodnath Radhakissoon</b></div>
<div><b>6 Priya Poorai</b></div>
<div><b>7 Toolsie Ramdass Singh</b></div>
<div><b>8 Jagdeo Phagoo</b></div>
<div><b>9 Marva Mckenzie</b></div>
<div><b>10 Pundit Beesram Sewdat</b></div>
<div><b>11 Reena Teelucksingh </b></div>
<div><b>Contestants’ Bio Data – ACCORDING TO ORDER OF APPEARANCE</b></div>
<div><b>Mukesh Babooram</b></div>
<div>A past Pichakaaree champion, Mukesh has been in Pichakaaree for the past 14 years. He is a master in the art of social commentary and has also written several festive compositions. A radio personality known for his forthrightness, he can be heard on the airwaves of Radio Shakti on the programs “The Maaro” and “On The Road Again”. He also writes calypsos and has on two occasions been in the finals of the Young Kings competition. He was also in the cast of finalists in the TUCO Chutney category in 2006. His greatest accomplishment, however, is his new son. </div>
<div></div>
<div><b>Mohip Poonwassie</b> </div>
<div>He has been involved in the Pichakaaree art-form for the past 14 years. He is a photographer/videographer by profession. He has been the past Pichakaaree Champion for three consecutive years. He hails from Calcutta Road #3 in Mc Bean, Couva. Poonwassie has grown up with the Pichakaaree forum. Today he is a profilic composer and a powerful performer the people always want to hear.</div>
<div><b>Pooja Ramoutar </b></div>
<div>She was born on the 2nd June, 1990. She attended the Orange Field Hindu School where she participated in the Baal Vikaas Vihaar competitions. She was a student of the Miracle Ministries Penticostal High School. She placed 2nd in both the “Sugar and Energy Festival” and the “Sanfest” in 2006. In 2003, Pooja received the Prahalad Bhakta award and went on to capture the Festive Champion title at Pichakaaree in 2005 &amp; 2006. </div>
<div><b>Doodnath Radhakissoon</b></div>
<div>Father of one beautiful girl, Doodnath is a Driver by profession. He sings with many bands and classical groups around the country. This is his first appearance on the pichakaaree platform.</div>
<div><b>Priya Poorai</b> </div>
<div>She is from a family steeped in trhe Bhojpuri cultrure of Bownath Trace, Penal. She has been employed with the Ministry of Finance for the past six years. She is an active member of the Ramayan Gita Cultural and Drama Group and the Ramayan Gita and Kirtan Mandali. She has been involved in promoting Indian culture at a very tender age and she has been in the Pichakaaree finals for the past six years. </div>
<div><b>Toolsie Ramdass Singh</b> </div>
<div>He was a Pichakaaree finalist for the past 9 years. He hails from #92 Soledad Road in Claxton Bay. He is an electrician by profession and the lead singer of the Savera Soca Chutney Band. He started his musical career at the age of 7, singing at Ramayan Satsanghs with his father. The father of three plays the harmonium as well as the dholak.</div>
<div>He placed first in the Festive category for five years and enjoys singing Festive Pichakaaree. Singing is his hobby. .  <br />
  <br />
  <br />
<b>Jagdeo Phagoo</b> </div>
<div>He is a contractor with Petrotrin, father of two boys and comes from S.S. Erin Road, Penal. He is a four time Pichakaaree Champion. He is a past finalist in the Mere Desh local song competition, TTCO Calypso and Chutney competition, National Mardi Gras competition, 2006 National Chutney Monarch and also Young Kings Calypso Competition 2007. Phagoo has also played the theme song on the harmonica for the radio programme “On The Road Again” on Radio Shakti 97.5 fm.  Phagoo is a prolific composer. He has been a keen sportsman who represented Trinidad and Tobago in badmington.</div>
<div><b>Marva Mckenzie</b> </div>
<div>Her date of birth is May 5<sup>th</sup>. She lives at #12 Farfan Street, St. James. Her hobbies are sewing of bridal gowns, singing, listening to all kinds of music, meeting people and traveling. </div>
<div>She has been involved in the arts for 15 years. She was a finalist in the Indian Cultural Local song competition on many occasions. She was a finalist in the Mere Desh song competition in 1998, placing second. She was a finalist in the National Nation Building and Chutney competition 1998, placing third. She was a finalist in both the National Chutney Monarch and Chutney Soca Monarch. She was the National Calypso Queen of TnT in 2003. She was the recipient of two Calypso Gold Awards in 2002 and 2003. She was a finalist in the Kendra Pichakaaree Competition for three years, placing 2nd in the Theme Category in 2006.  </div>
<div>Marva is a registered nurse and mother of two boys and one girl. Her greatest desire is to remain healthy as long as she can and to strive to be the best in whatever she does. She would also like to be a finalist in the Calypso Monarch of TnT. Her greatest joy is being involved in the various arts, especially the Pichakaaree, where the atmosphere is different. Music is different, yet electrifying. The closeness and friendliness of everyone. There is no discrimination, there is always oneness. Her greatest fear; Not being able to perform.  </div>
<div>. </div>
<div><b>Pundit Beesram Sewdat</b> </div>
<div>He hails from No. 1 Asgarali Development, Raghoonanan Road, Chaguanas. He is attached to Hindu Swayam Sevak Sangh and Chinmaya Mission of Trinidad and Tobago. He is a Ramayanist and bhajan singer. He is a Hindu religious and social activist. He has been a composer and singer of Pichakaaree songs for the past 10 years and was Pichakaaree champion in 2002. </div>
<div>  <br />
 <b>Reena Teelucksingh</b>   <br />
 </div>
<div>A final year student of the University of the West Indies pursuing a Bsc. in Agribusiness (major) and Economics (minor). She is 22yrs of age and has been a participant in Pichakaaree since 1997. Since the tender age of 4 she started studying Indian dance and has been a student of both Kuchipudi and Kathak dancing. Reena is a very active sevikaa and social worker and is currently the Secretary of the Hindu Students’ Council Trinidad and Tobago among many other youth organizations. She spearheaded the recent protest against the manner in which students who wore Raksha thread to school after worship on Shivaratri night.</div>
<div align="center">LYRICS</div>
<div><b><i>Song Title : CHALIYEA PICHAKAAREE </i></b></div>
<div><b><i>Singer : PRIYAPOORAI</i></b></div>
<div><b><i>Composer : PRIYAPOORAI</i></b></div>
<div>Aaray suno na suno re bhaiyai</div>
<div>Is pichikaaree again</div>
<div>Awo re parosin awo re behin</div>
<div>Holi ayea</div>
<div>Holi ayea pichikaaree</div>
<div>This is my culture, meh own dignity</div>
<div><b><i><u>Verse (1):</u></i></b></div>
<div>Ah boilum abira to saveum we dharma</div>
<div>To saveum we culture, ah joinum the Kendra</div>
<div>Dong in the nagar dey waitin for me</div>
<div>Is dallghotnie, laatie for all them kutnie…Holi ayea pichikaaree</div>
<div><b><i><u>Chorus:</u></i></b></div>
<div>Holi ayea pichikaaree</div>
<div>Today ah happy day for meh ajie</div>
<div><b><i><u>Verse (2):</u></i></b></div>
<div>She put on she ghangree and chook up she ornie</div>
<div>She put on she chapal and potay she bindi</div>
<div>Telling everybody chalo pichikaaree</div>
<div>Ghoorkeying at them young gyal with slinkey mini</div>
<div>She talking bout de courage of jahaaji…Holi ayea pichikaaree</div>
<div><b><i><u>Chorus:</u></i></b></div>
<div>Holi ayea, pichikaaree nacho gawoh we ha integritty</div>
<div><b><i><u>Verse (3):</u></i></b></div>
<div>Meh ajie stop meh phoowa</div>
<div>From gonium in the river</div>
<div>Leh we join the Kendra</div>
<div>To enjoy the Phagwa</div>
<div>Put away the bailna and phookni</div>
<div>Leh we go and celebrate, celebrate holi…Holi ayea pichikaaree</div>
<div><b><i><u>Chorus:</u></i></b></div>
<div>Holi ayea pichikaaree</div>
<div>Meh ajie getting bazodee, she only hurrying me</div>
<div><b><i><u>Verse (4):</u></i></b></div>
<div>Aaray maxi taxi manwaa, na stopum rumshopwaa</div>
<div>Chalo sewalaa, to buildum we dharma</div>
<div>Meh moiyaa and poiyaa all dem happy</div>
<div>Dey singing and clapping, dey gonium pichikaaree…Holi ayea pichikaaree</div>
<div><b><i><u>Chorus:</u></i></b></div>
<div>Holi ayea pichikaaree</div>
<div>Dong in the Nagar we reach with maxi</div>
<div><b><i><u>Verse (5):</u></i></b></div>
<div>Ah like to see dem betiya</div>
<div>Climb for the gaila</div>
<div>Lifting we culture is Mohip and Geeta</div>
<div>Sanaying the condense milk and roti</div>
<div>Dem chirren only blowing powder at me…Holi ayea pichikaaree</div>
<div><b><i><u>Chorus:</u></i></b></div>
<div>Holi ayea pichikaaree</div>
<div>Ah seeing Lord Krishna dancing with me</div>
<div>NACHO GAWOH PICHIKAAREE</div>
<div>TODAY IS VICTORY FOR PICHAKAAREE</div>
<div>PICHAKAAREE VICTORY FOR ALL AH WE</div>
<div>PICHAKAAREE CELEBRATE, CELEBRATE HOLI</div>
<div>HOLI AYEA PICHAKAAREE…HOLI AYEA</div>
<div>PICHAKAAREE DOING IN THE NAGAR WAITING FOR ME</div>
<div>Hey brij basiyaa Nanhay ki rasiyaa</div>
<div>Roko na meray dagariyaa</div>
<div>Roko na meray dagariyaa Sawariyaa</div>
<div>Roko na meray dagariyaa…hey brij…</div>
<div>Hey Jogira</div>
<div>SA RA RA RA (2x)</div>
<div>Agee cooking bun karailee</div>
<div>Roti and takarie</div>
<div>Ajaa bringing kala pani</div>
<div>Baap baap chilaye</div>
<div>Jogira Sa Ra Ra Ra {2}</div>
<div>Sa ra ra ra Sa ra ra ra RA {3}</div>
<div>Bolo bolo PICHAKAAREE KI JAI</div>
<div align="center"><b><u>PICHAKAAREE 2008</u></b></div>
<div align="center"><b><u>TITLE: GUYANA MASSACRE MUST BUSS WE KAREJA</u></b></div>
<div align="center"><b><u>COMPOSER AND SINGER: PUDIT BEESRAM SEWDAT</u></b>  <br />
(see blue for explanations in blue of underlined words placed after each verse ) </div>
<div><b><u>INTRODUCTION:</u></b> </div>
<ol type="1">
<li><b><u>REWATI BETI</u></b></li>
</ol>
<div>  <br />
 </div>
<div><b><u>TOOKRE TOOKRE</u></b><u> </u><b><u>KYON KI?</u></b></div>
<div>DE BLOW-UP YU BRAINS</div>
<div>WHO GO FEEL YU PAIN? </div>
<ol type="1">
<li><b><u>SEEGOPAAL AND SEEGOBIN</u></b></li>
</ol>
<div>IS BULLETS LIKE RAIN</div>
<div>SEE THEY BLOOD <b><u>CHATKE</u></b> (EVEN)</div>
<div><b><u>JAMRAJ </u></b>LEAVE IN PAIN </div>
<ol type="1">
<li><b><u>MAAI AND BAAP </u></b>SCREAMING</li>
</ol>
<div><b><u>BAHIN</u></b> ON DE GROUND ROLLING</div>
<div><b><u>BALIDAAN! </u></b>OR SLAUGHTER</div>
<div><b><u>‘MUSS BUSS! WE KAREJA’</u></b> </div>
<ol type="1">
<li>LUSIGNAN ELEVEN GONE</li>
</ol>
<div>   TWELVE IN BARTICA</div>
<div>   <b><u>BUXTON</u></b> OR LAVENTILLE</div>
<div>   GUYANA BAWLING (T&amp;T)</div>
<div>   BELIZE OR JAMIACE</div>
<div><b><u>CRIME CARIBBEAN ‘SHRAAP-WAA’</u></b> </div>
<div><b>OUR GENERAL RESPONSE-</b></div>
<div><b>‘CARIBBEAN INDIANS’:</b>  <br />
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 </div>
<div>(Rewati Seecharan) 11 year Guyanese was a victim of Lusignan massacre ‘2008 in Guyana.)</div>
<div>Brain shatterd to pieces by Gunman. WHY?  <br />
 </div>
<div>4 &amp; 8yr old brothers of Lusignan in Guyana also ‘slaughtered’</div>
<div>Splatter </div>
<div>God of death  <br />
  <br />
  <br />
 </div>
<div>Sacrifice</div>
<div>Must deeply hurt us </div>
<div>1<sup>st</sup> MASSACRE- JAN 2008</div>
<div>2<sup>ND</sup> MASSACRE- FEB 2008</div>
<div>Infamous hidout for criminals  <br />
 </div>
<div><a name="01000001" rel="nofollow"></a>Crime Caribbean Curse  <br />
  <br />
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 </div>
<ol type="1">
<li><a name="01000002" rel="nofollow"></a>WE <b><u>SUSKE</u></b> WE <b><u>PhASRE!</u></b></li>
</ol>
<div>   ONLY <b><u>BHOONBHOONAAWE!</u></b></div>
<div>   FRETTING BUT FETE-ING</div>
<div>   <b><u>LET DE DEAD BURY DE DEAD</u></b></div>
<div><b><u>NAHI</u></b> ACTION! COMPLAINING!</div>
<div>   ON <b><u>WE BELLY CRAWLING</u></b> </div>
<ol type="1">
<li>BAS SAY:<b><u>LOOK IN DE MIRROR</u></b></li>
</ol>
<div>WE GO FIND DE ANSWER’ (BUT)</div>
<div><b><u>ABHIMAAN</u></b> AND CORRUPTION</div>
<div>‘TURN HE MIRROR UPSIDE DOWN’ </div>
<ol type="1">
<li><b><u>UNITY UNDER DURESS</u></b></li>
</ol>
<div>     IS<u> </u>HYPOCRACY- YESS!</div>
<div>     UNC SPINELESS</div>
<div>     WINSTON TRY HE BEST </div>
<div><u>MONOLOUGE</u> #1 </div>
<div>WHEN AH HEAR THAT!</div>
<div>AH BURN ME DAMN <b><u>BERRET</u></b></div>
<div>AH MASH-UP ME <b><u>BLASTED MIRROR</u></b></div>
<div>CAUSE OF HURT AND ANGER</div>
<div><b><u>‘KAA KARE KE HOYA! BHAIWAA?</u></b></div>
<div>SO AH ASK ME <b><u>PICHUKAARIYAS</u></b></div>
<div>MUKESH, PHAGOO &amp; INDIRA</div>
<div>“LOOK IN ALL-YU MIRROR&#8230;</div>
<div>TELL ME WHAT ALL-YU SEE?”</div>
<div>KETCHING <b><u>BAZODEE! </u></b>AND <b><u>JEE-JEE-REE!</u></b></div>
<div>HEAR <b><u>‘WHA-DE’ </u></b>TELL ME </div>
<div>We cry but do nothing</div>
<div>Meaningless mutter </div>
<div>T&amp;T slang  <br />
 </div>
<div>T&amp;T slang </div>
<div>Pichakaaree Theme – 2008  <br />
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<div>Pride/Ego  <br />
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<div>Cop leader  <br />
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<div>Panday’s Signature headwear- elections ‘07  <br />
 </div>
<div>What else to do brother?</div>
<div>New word coined: For Pichakaaree Singers  <br />
 </div>
<div>Totally confused</div>
<div>Cold-feet</div>
<div>What they </div>
<div><a name="01000003" rel="nofollow"></a><b><u>CHORUS # 1</u></b></div>
<div>1. WE<b><u> PEEYO</u></b> IN DE MORNING</div>
<div>   <b><u>PEEYO</u></b> NOON AND NIGHT</div>
<div>   WINING TO DE CHUTNEY</div>
<div>   THEN START <b><u>TO CUSS AND  </u></b></div>
<div>   <b><u>FIGHT            </u></b> </div>
<div>2. WE BRING IT IN A<b><u> POSEE</u></b></div>
<div>    POUR IT FROM A FLASK</div>
<div>    DRINK IT FROM A BOTTLE</div>
<div>   <b><u>DHAKOLE</u></b> IN A GLASS </div>
<div>3. <b><u>DAARU </u></b>WE <b><u>BARDAAN</u></b></div>
<div>    RUMSHOP WE <b><u>BAIKOONT</u></b></div>
<div>    <b><u>DOH WORRY! BE HAPPY!</u></b></div>
<div>    <b><u>DAH IS DEM! NOT-WE! </u></b> </div>
<div><b>MONOLOGUE # 2</b></div>
<div>ARE! CHUTNEY GAA-O</div>
<div><b><u>KHAA-O! PEEYO! MAJAA-KARO!</u></b></div>
<div>WE DOES EVEN <b><u>CHANGE-AM </u></b>WE TUNE <b><u>FOR-SO!</u></b> </div>
<div><b><u>CHORUS # 2</u></b></div>
<div>1. <b><u>AH WAAH! ME RUM IN DE  </u></b></div>
<div>   <b><u>MORNING</u></b></div>
<div>   AH WAAH! ME RUM IN DE</div>
<div>   EVENING</div>
<div>   GIMME! ME RUM RIGHT AWAY</div>
<div>   NO TIME! TO EVEN <b><u>TAPAAWE</u></b> </div>
<div>2.<b><u>DEKHO</u></b> BULLETS IN DE EVENING</div>
<div>RANSOM FOR KIDNAPPERS</div>
<div>COWARD TAX FOR THE   <b><u>GOONDAS</u></b></div>
<div><b><u>OH LAAD!</u></b> DEM CHUTNEY <b>SINGERS</b></div>
<div>JALDEE! BE <b><u>PICHUKAARIYAS</u></b> </div>
<div>Drink  <br />
 </div>
<div>Quarrel amongst each other  <br />
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 </div>
<div>Gulp-down </div>
<div>Rum: Our boon/gift</div>
<div>Vaikuntha: Heaven</div>
<div>American Slang</div>
<div>T&amp;T slang  <br />
 </div>
<div>Sing</div>
<div>Eat drink and be merry!</div>
<div>Guyana Slang</div>
<div>T&amp;T slang  <br />
 </div>
<div>CHUTNEY SINGER- HUNTER’ TUNE</div>
<div>(taken from Mohammed Rafi’s song)  <br />
  <br />
 </div>
<div>‘Spiritual-offering’ of alcohol </div>
<div>Look  <br />
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<div>Criminal/rogue</div>
<div>Oh Lord!</div>
<div>Hurry! Be pichakaaree singers</div>
<div><a name="01000004" rel="nofollow"></a><b><u>WE DOES  ONLY MOCK WE</u></b></div>
<div>INDIANS! <b><u>MAT KARO BOBOLEE!</u></b> </div>
<div><b><u>CHORUS # 3</u></b></div>
<div>BUT REWATI BETI</div>
<div><b><u>VISHI </u></b>FEELING YU PAIN</div>
<div>CRIME CARIBBEAN TIME BOMB</div>
<div><b><u>BONG</u></b> TO EXPLODE AGAIN</div>
<div><b><u>VERSE # 1</u></b></div>
<div>(PICHUKAARIYA-MUKESH SEE! AND TELL ME! ) </div>
<div>1. <b><u>BAHUT BARE</u></b> CHALLENGE</div>
<div>    IN DE CARIBBEAN</div>
<div>    IS CHOKE AND <b><u>RAAB</u></b></div>
<div><b>   BANDOOK-KE</b> MURDERS </div>
<div>2. <b><u>DOH-MIND</u></b> ‘DE’ BEACHES</div>
<div>    RUM PUNCH AND CRICKET</div>
<div>    <b><u>C.S.M.E.     -       E.P.A.</u></b></div>
<div><b>   <u>PETRO CARIBE</u></b> </div>
<div>3. WITHOUT MAKING SECURITY</div>
<div>    WE NUMBER ONE PRIORITY</div>
<div>    WE <b>COU-COU-COOK FROM</b></div>
<div>    FROM GUYANA TO HAITI </div>
<div>4. IN TWO THOUSAND AND</div>
<div>    SEVEN</div>
<div>    FOUR HUNDRED MURDERS</div>
<div>    <b><u>SNAKE-DE-IN-BALISIER</u></b></div>
<div>    MARTIN JOSEPH <b><u>‘KYAA-</u></b></div>
<div><b>   <u>KARE?</u></b> </div>
<div>5. MAKE DARREN GANGA</div>
<div>    POLICE COMMISSIONER</div>
<div>    DEOSARAN PROFESSER </div>
<div>Don’t be; Habitually Bullied  <br />
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 </div>
<div>My daughter Vishala Sewdat- participated in Guyana Ramdilla ‘08</div>
<div>Will certainly  <br />
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<div>Very formidable </div>
<div>Infamous Guyanese term for robbery</div>
<div>Gun-related murders </div>
<div>For which Caribbean is well known </div>
<div>Caribbean Single Market Economy  <br />
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<div>We in trouble!  <br />
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<div>Famous calypso lyrics</div>
<div>What are you doing?  <br />
 </div>
<div>Because of excellent managerial skills</div>
<div>UWI Criminologist- Senator Prof. Deosaran</div>
<div><a name="01000005" rel="nofollow"></a>SECURITY MINISTER</div>
<div>JUSTICE SHARMA</div>
<div>NEW <b><u>PRESIDENT-WAA</u></b> </div>
<div><b><u>CHORUS # 4</u></b></div>
<div>BUT REWATI BETI</div>
<div><b><u>DEEPO </u></b>FEELING YU PAIN</div>
<div>CRIME CARIBBEAN TIME BOMB</div>
<div>BONG TO EXPLODE AGAIN! </div>
<div><b><u>VERSE # 2</u></b></div>
<div>(PICHUKAARIYA PHAGOO SEE! AND HE TELL ME!) </div>
<div>1. NINETY TWO GANGS</div>
<div>   NINETY-TWO GANGS</div>
<div>  SEVENTEEN HUNDRED  </div>
<div>   MEMBER</div>
<div>  COMMUNTIY LEADERS</div>
<div>  HAVE U.R.P. CONTRACTS</div>
<div>  P.N.M. DIRTY TRCKS</div>
<div>  <b><u>STEPPING UP WITH PATRICK</u></b> </div>
<div>2. <b><u>ALOES KE BETA</u></b></div>
<div>  LOOK HOW THEY MURDER (BUT)</div>
<div>  ALOES SING ‘<b><u>BOUT OMA</u></b></div>
<div>  <b><u>WIN HALF MILLION DOLLARS </u></b></div>
<div><b><u>  CALYPSO ROTTENING</u></b></div>
<div><b><u>ARE! MAARSAARELAA</u></b> </div>
<div>3. HEALTH IN SHAMBLES</div>
<div>    EDUCATION IN CRISIS</div>
<div>    ENDLESS TRAFFIC JAM</div>
<div>    AND HIGH FOOD PRICES</div>
<div>   </div>
<div>4. HAIL! <b><u>RAJA MANNING</u></b></div>
<div>    <b><u>RAAJ-MAHAL</u></b> HE LVING</div>
<div>    PRIVATE JET HE FLYING </div>
<div>Former Chief Justice- (sack present president- politically tainted)  <br />
 </div>
<div>Randy Deepo- well known US/ Guyanese Lawyer-responsible for restarting Ramleela in Guyana after 32 years.  <br />
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<div>Statistics revealed by Prof. Deosaran  <br />
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<div>PNM 2008 election song </div>
<div>Son of Sugar Aloes- Calypso Monarch 2008</div>
<div>About the “Pandays” </div>
<div>Complain the mighty ‘Chalkdust’.</div>
<div>Destroy it because of Indian bashing  <br />
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<div>King Manning!</div>
<div>Palatrial Home(PM’s residence)  <br />
 </div>
<div><a name="01000006" rel="nofollow"></a>    <b><u>LOC-JACK</u></b> WAS LYING </div>
<div>5.VISION TWENTY-TWENTY</div>
<div><b>  <u>DOG GO PEE ON WE</u></b></div>
<div><b>  <u>CO-BO GO PEE ON WE</u></b></div>
<div><b>  <u>WE GO KETCH</u></b> <b><u>MALCADEE</u></b> </div>
<div><b><u>VERSE # 3</u></b></div>
<div>(PICJUKAARIN-YAA INDIRA SEE! AND TELL ME!) </div>
<div><b><u>H.C.U.</u></b> –NOW</div>
<div><b><u>HARRY CREDIT UNION</u></b></div>
<div><b><u>RADIO SHAKTI</u></b> GO BE</div>
<div><b><u>QURBAANEE</u></b></div>
<div>SHAKTI GO BE</div>
<div><b><u>RADIO QURBAANEEE</u></b></div>
<div><b><u>JAGRITI RADIO </u></b></div>
<div>NOT FOR ALL AH WE </div>
<div><b><u>CHORUS # 5</u></b></div>
<div>BUT REWATI BETI&#8230;.</div>
<div><b><u>RAVIJI </u></b>FEELIN YU PAIN</div>
<div>CRIME-MINISTER</div>
<div>MANNING</div>
<div><b><u>BHAGWAN</u></b> EH SLEEPING!  <br />
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<div>CAL Chairman </div>
<div>PNM’s mantra</div>
<div>Bad Luck/ Everything Going Wrong</div>
<div>Corbeaux: Jinx</div>
<div>Epileptic Conclusions  <br />
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 </div>
<div>Hindu Credit Union (formally)</div>
<div>Word Hindu dropped</div>
<div>97.5FM Radio</div>
<div>Literal meaning- SACRIFICE </div>
<div>Muslim Connection in H.C.U.</div>
<div>102.7 FM Radio  <br />
  <br />
  <br />
 </div>
<div>Conducted 2008 Ram Leela in Guyana</div>
<div>Chairman-National Security Council (responsible to curb crime)</div>
<div>God </div>
<div><b>TITLE </b>: Ah different Style</div>
<div><b>SINGER </b>: Reena Teelucksingh</div>
<div>COMPOSER : Revan Teelucksingh </div>
<div>WHEN YOU LOOK IN THE MIRROR WHAT DO YOU SEE</div>
<div>CAN YOU HEAR THE WHISPER OF <b>JAHAAJEE</b> (<b>ancestors)</b></div>
<div>      <b>TUM KOWN HO BETA (who are you son)</b></div>
<div>      <b>TUM KOWN HO BETI (who are you so daughter)</b></div>
<div>LOOK IN THE MIRROR WELL</div>
<div>WHAT<b> KAHAANI </b>DOES IT TELL <b>(story) </b>          </div>
<div>IS OUR LEGACY</div>
<div>DYING <b>JALDI JALDI (quickly) </b>       </div>
<div>NOWADAYS <b>LARKIS (girls)</b></div>
<div>AND ALL THEY <b>SAKHIS (friends)</b></div>
<div><b>PATKAY</b> THE <b>GHANGHRI (throw away, long skirt)</b>     </div>
<div>FOR THE SLINKY MINI</div>
<div>      <i>LONG IS OUT AND SHORT IS IN</i></div>
<div>      <i>THICK IS OUT SO BETTER BE THIN</i></div>
<div>IT JUST <b>NAHI</b> RIGHT <b>(not)</b></div>
<div>IF THE JEANS <b>NAHI</b> TIGHT<b> (not)</b></div>
<div>AND THE MORE PEER PRESURE</div>
<div>IS THE MORE EXPOSURE</div>
<div>      <b>BAHUT</b> COMPROMISE <b>(plenty)</b></div>
<div>      FOR MODERN DISGUISE</div>
<div>      IN THIS HIGH FASHION WORLD</div>
<div>      ONLY DIGNITY IS SOLD</div>
<div><b>BETI</b> THIS IS NOT YOU <b>(daughter)</b></div>
<div>TO YOURSELF BE TRUE</div>
<div>BEFORE THE MIRROR SAY</div>
<div>IS NO <b>SHARMAAYE (shame)</b> </div>
<div>IS THE AGE OF THE WILD</div>
<div>SO <b>LARKAS </b>HAVE NEW STYLE <b>(boys)</b></div>
<div><b>CHOOSAYING</b> THEY <b>PAISAA (wasting, money)</b></div>
<div>ON <b>KAPRAA</b> AND MOTOR CAR <b>(clothes)</b></div>
<div>CYAR WAIT FOR WEEKEND</div>
<div>FOR <b>TAMASHAA</b> WITH THEY FRIENDS <b>(fun)</b></div>
<div>DANCING AH NEW <b>GAANA (song)</b></div>
<div>IN AN ALIEN <b>GHARHAANAA (musical tradition)</b></div>
<div>      <i>COME ON DREAD, WE’LL PAINT THE TOWN RED</i></div>
<div>      <i>BUILD A HEAD AND KNOCK ‘EM DEAD</i></div>
<div>WHAT YUH <b>DHAKOLAY (drink)</b></div>
<div>AND WHAT YUH DOES <b>PHOOKAY (smoke)</b></div>
<div>WHAT TAKIN YOU ASTRAY</div>
<div>MAY NOT BRING YOU BACK ONE DAY</div>
<div>      BETA THIS IS NOT YOU</div>
<div>      TO YOURSELF BE TRUE</div>
<div>      BEFORE THE MIRROR SAY   </div>
<div>      IS NO <b>SHARMAAYE</b> </div>
<div><b>BAHUT </b>PROSPERITY</div>
<div>CORRUPTING IDENTITY</div>
<div>SO <b>SANSKAAR</b> THE <b>BACHO (give values, child)</b></div>
<div>SHOW THEM THE WAY TO GO</div>
<div>THEY’LL <b>NIK NIKAAYE (give difficulty)</b></div>
<div>TO HAVE THEIR OWN WAY</div>
<div>IF YOU ONLY FALL PREY</div>
<div>IT WILL BACKFIRE SOME DAY</div>
<div>      <b>KHABAR DAAR </b>WITH <b>DOOLAR (take care, pampering)</b></div>
<div>      DANGER IN THE <b>SAMSAAR (this world) </b></div>
<div>      BE CAREFUL WHAT YUH CHANGE </div>
<div>      AND WHAT YUH REARRANGE</div>
<div>THE CULTURE YOU TEACH</div>
<div>PRACTICE DON’T PREACH</div>
<div>BEFORE THE MIRROR SAY</div>
<div>IS NO <b>SHARMAAYE</b> </div>
<div><b>AAJAA AUR AAJEE (grandparents)</b></div>
<div>GETTAM NEW HOBBY</div>
<div>SOAP OPERA ON TV</div>
<div>SO THEY CLOSE THE <b>RASOYI (kitchen)</b></div>
<div>NO ROTI AND <b>DAHI (home made yogurt)</b></div>
<div><b>SAYKAYING</b> IN THE <b>CHULHEE (roasting, earthen stove)</b></div>
<div>SO NO <b>JOHR</b> IN THE <b>NAATI (strength, grandchildren)</b></div>
<div>KFC LAUGHING AT WE</div>
<div>      TAKE BACK THE <b>PALANAA (cradle)</b></div>
<div>      SAVE THE P<b>ARAMPARAA (tradition, legacy)</b></div>
<div>      BEFORE YUH <b>LALANAA (‘pampered’ child)</b></div>
<div>      END UP IN THE FIRE</div>
<div>NOW ITS MAKE OR BREAK</div>
<div>CAUSE THE FUTURE IS AT STAKE</div>
<div>WILL YOU LET THE MIRROR SAY</div>
<div>IS NO <b>SHARMAAYE</b>  <br />
  <br />
  <br />
  <br />
  <br />
  <br />
  <br />
 </div>
<div>THIS TIME NAA LAANG TIME (2)</div>
<div>THIS TIME NAA BEFORE TIME</div>
<div>LAANG TIME GATTAM <b>GHANGRI</b></div>
<div>NOW TIME GATTAM MINI</div>
<div>LAANG TIME GATTAM DONKEY</div>
<div>NOW TIME GATTAM <b>GAARI (car)</b></div>
<div>LAANG TIME GATTAM POVERTY</div>
<div>NOW TIME GAT PROSPERITY</div>
<div>LAANG TIME GATTAM <b>ROTI DAHI</b></div>
<div>NOW TIME GATTAM KFC</div>
<div><b>BETA BETI BHAIYAA BHOWJI (son, daughter, brother, sister in law)</b></div>
<div>LITTLE LAANG TIME GOOD FOR WE</div>
<div>MUMMY DADDY <b>AAJAA AAJEE</b></div>
<div>LITTLE LAANG TIME GOOD FOR WE</div>
<div>RAVIJI BRING PICHAKAARE</div>
<div>LITTLE LAANG TIME GOOD FOR WE</div>
<div>LOOK HOW WE ENJOYING HOLY</div>
<div>LITTLE LAANG TIME GOOD FOR WE</div>
<div></div>
<div>&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</div>
<div></div>
<h1 align="center">PHAGWA CONTINUES THE STAND AGAINST ALCOHOL IN PHAGWA.</h1>
<div>EXCERPT FROM AN ARTICLE BY RAVIJI</div>
<div>KENDRA PHAGWA FESTIVAL continues the stand taken 17 years ago that The Kendra Phagwa Festival is a NO ALCOHOL ZONE.</div>
<div>This stand was taken at the inception of the Kendra Phawa Festival in 2001 and continues today. Use of alcohol had almost ruined phagwa some years ago because it became increasingly unsafe for families to go to various venues.</div>
<div>TAKING A STAND is inspired by the origin of phagwa itself. Taking a p[rincipled stand is one way to celebrate Prahlaad, the boy-saint hero of the story of the origins of Phagwa. Prahlaad took a stand against his father’s demand that all must convert from the Hindu Way of Life of worship to Bhgvan Vishnu and worship him, Emperor Hiranyakashipu. He was persecuted by his father, the state, the military and by the education system because of his stand.</div>
<div>In the midst of all the celebrations, therefore, phagwa invites us to take a community stand against the all pervasive use of alcohol at community events. All participants must be vigilant to ensure the development of phagwa into an attractive festival. One of the elements for ensuring a comfortable environment is for all to eschew alcohol and discourage others from abusing the community efforts including Kendra Phagwa Festival.</div>
<div>raviji</div>
<div></div>
<div>&#8230;&#8230;&#8230;&#8230;..</div>
<h1 align="center">PROGRAM OF ACTIVITIES FOR KENDRA PHAGWA FESTIVAL 2008</h1>
<div>For seero to do</div>
<div>*******************************************</div>
<h1 align="center">BACHON KA KHEL – CHILDREN’S GAMES</h1>
<div align="center">      <b>FOR CHILDREN 12 YEARS AND UNDER </b></div>
<div><b>SADA ROTI AND CONDENSED MILK EATING COMPETITION</b></div>
<div>Many families who reared cows long ago and some elders would remember eating small pieces of sada roti soaked in sweetened cow’s milk for breakfast or dinner. Then came condensed milk and everyone just loved having it with roti or bread as a snack and would often hide and eat it. This competition takes one down memory lane back to those long time childhood days.</div>
<div>A small sada roti is pasted with condensed milk. A string is passed through the centre of the roti which is then strung horizontally across the stage and held in position by 2 poles. Clean clear plastic is placed beneath the roti area, if the roti falls the contestant may eat it from there. The contestant’s hands are tied behind their backs. As soon as the whistle is blown the competition starts.The contestant finishing in the shortest time is declared the winner.</div>
<div>RANG KA GULAAL &#8211; POWDER BOWING COMPETITION.</div>
<div align="center">      <b>FOR CHILDREN 12 YEARS AND UNDER </b></div>
<div>Equal amounts of coloured powder are placed in small plates. The contestants must blow all the powder out of the container. The contestant finishing in the shortest time is declared the winner. The bigger children are taken for this competition because certain skills are required to avoid getting the powder into the nose and mouth. Some children even keep their eyes closed during the competition. The blowing of the various colours is a beautiful site and depicts the rainbow nature of the festival of colour that is being celebrated.</div>
<div>*Adults and trained first aid personnel are always on standby to look after the children should they get into difficulty.</div>
<h1 align="center">MAAKHAN CHOR</h1>
<div>FOR YOUTHS AND ADULTS</div>
<div>Maakhan means butter and Chor means thief, put together it translates the butter thief.</div>
<div>This ancient story of the Maakhan Chor can be traced to the childhood days of the Avataar (Divine manifestation) of Lord Krishna, when He and his friends played tricks on the villagers especially the women-folk who adored them. According to the story, the child Krishna and His friends would sneak into the homes of the women folk and climb up on top of each other to reach the pots of maakhan which was usually hung on rope slings placed high beyond the reach of children.</div>
<div>The childhood stories of Lord Krishna recount His pranks of which teaming up with his childhood friends they would form a human pyramid to reach the butter and enjoy themselves. On rare occasions when Krishna was caught, He was never punished since it was part of His Divine Leela and His way of pleasing his devotees who loved Him dearly and who enjoyed His childhood sports.</div>
<div>The Maakhan Chor competition is very similar. It is an extremely exciting, nail-biting experience. A pot similar to the maakhan pot is suspended 18 feet high in the air with little jhandis (flags) inside it, representing the maakhan.Teams of not more than ten persons are required to form a human pyramid and attempt to take down one jhandi, re-enacting the way Lord Krishna and His friends climbed on each other to reach the tasty Maakhan.</div>
<div>Practice, co operation and strategy are necessary to be successful. The team which does this in the fastest time without breaking the pyramid is declared the winner. Cash prizes are awarded. Caution is advised to all participants. This competition has attracted many teams in the past and this year a special prize will be given to the team which breaks the all time record of 9 seconds held by the United Brothers of Longdenville.</div>
<h1>RANGA BARASE – COMMUNITY DANCE</h1>
<div></div>
<div>Ranga Barase means a shower of colours and this is exactly what Phagwa is about, colour and beauty. During this feature, abeer of varying colours is sprayed on all participants from overhead pipe and sprinkler systems, designed for the special effect of bathing in coloured rain. The vibrations of appropiate music and songs are irresistable and the whole community gets involved in the grand celebration by joining in the community dancing.</div>
<div>The sprinklers are turned on several times during the celebration but in full force for the community dance, until the 2,000 gallons of prepared abeer is finished. There is also the chirkaying (scattering) of gulaal (coloured powder) from a specially constructed pump and pipe system, creating a wonderful Phagwa ambience.</div>
<div>By community demand, Kendra Phagwa Festival has increased the time for Rang Barse. The committee has prepared a non stop session of marathon community dance.</div>
<h1 align="center">PHAGWA TAKES A STAND</h1>
<div>KENDRA PHAGWA FESTIVAL has taken the stand that The Kendra Phagwqa Festival is a NO ALCOHOL ZONE. This stand more than a decade ago and still continues today. was taken. Use of alcohol had almost ruined phagwa some years ago because it became increasingl unsafe for families to go to various venues.</div>
<div>All participants must be vigilant to ensure the development of phagwa into an attractive festival where all feel safe to participate by eschewing alcohol and discouraging use of alcohol at venues including Kendra Phagwa Festival.</div>
<div>.</div>
<div>SEERO NEED TO COMPLETE BIO DATA OF PERFORMERS</div>
<div><b>Mukesh Babooram</b></div>
<div>A past Pichakaaree champion, Mukesh has been in Pichakaaree for the past 14 years. He is a master in the art of social commentary and has also written several festive compositions. A radio personality, he can be heard on the airwaves of Radio Shakti on the programs “The Maaro” and “On The Road Again”. He also writes calypsos and has on two occasions been in the finals of the Young Kings competition. He was also in the cast of finalists in the TUCO Chutney category in 2006. His greatest accomplishment, however, is his new son.</div>
<div><b>Reena Teelucksingh</b></div>
<div>She is a final year student of UWI, pursuing a degree in Agri Business and Economics.</div>
<div>She is a Kuchipudi and Kathak dancer hailing from #1 Ramjohn Street, Tunapuna.</div>
<div>She has been participating in the Pichakaaree competition since 1997. Reena is an active Sevika and the assistant Chair person of the Hindu Student’s Council of Trinidad and Tobago.  </div>
<div><b>Marva Mckenzie</b></div>
<div>Her date of birth is May 5<sup>th</sup>. She lives at #12 Farfan Street, St. James. Her hobbies are sewing of bridal gowns, singing, listening to all kinds of music, meeting people and traveling.</div>
<div>She has been involved in the artform for over 15 years. She was a finalist in the Indian Cultural Local song competition on many occasions. She was a finalist in the Mere Desh song competition in 1998, placing second. She was a finalist in the National Nation Building and Chutney competition 1998, placing third. She was a finalist in both the National Chutney Monarch and Chutney Soca Monarch. She was the National Calypso Queen of TnT in 2003. She was the recipient of two Calypso Gold Awards in 2002 and 2003. She was a finalist in the Kendra Pichakaaree Competition for three years, placing 2nd in the Theme Category in 2006.</div>
<div>Marva is a registered nurse and mother of two boys and one girl. Her greatest desire is to remain healthy as long as she can and to strive to be the best in whatever she does. She would also like to be a finalist in the Calypso Monarch of TnT. Her greatest joy is being involved in the various arts, especially the Pichakaaree, where the atmosphere is different. Music is different, yet electrifying. The closeness and friendliness of everyone. There is no discrimination, there is always oneness. Her greatest fear; Not being able to perform.  </div>
<div><b>Priya Poorai</b></div>
<div>She is from Bownath Trace, Penal. She has been employed with the Ministry of Finance for the past six years. She is an active member of the Ramayan Gita Cultural and Drama Group and the Ramayan Gita and Kirtan Mandali. She has been involved in promoting Indian culture at a very tender age and she has been in the Pichakaaree finals for the past six years.</div>
<div>.</div>
<div><b>Jagdeo Phagoo</b></div>
<div>He is a contractor with Petrotrin and father of two boys and comes from S.S. Erin Road, Penal. He is a three time Pichakaaree Champion. He is a past finalist in the Mere Desh local song competition, TTCO Calypso and Chutney competition, National Mardi Gras competition, 2006 National Chutney Monarch and also Young Kings Calypso Competition 2007. Phagoo has also played the theme song on the harmonica for the radio programme “On The Road Again” on Radio Shakti 97.5 fm.  </div>
<div><b>Pundit Beesram Sewdat</b></div>
<div>He hails from No. 1 Asgarali Development, Raghoonanan Road, Chaguanas. He is attached to Hindu Swayam Sevak Sangh and Chinmaya Mission of Trinidad and Tobago. He is a Ramayanist and bhajan singer. He is a Hindu religious and social activist. He has been a composer and singer of Pichakaaree songs for the past 10 years and was Pichakaaree champion in 2002.</div>
<div><b>Pooja Ramoutar <br />
</b></div>
<div>She was born on the 2nd June, 1990. She attended the Orange Field Hindu School where she participated in the Baal Vikaas Vihaar competitions. She was a student of the Miracle Ministries Penticostal High School. She placed 2nd in both the “Sugar and Energy Festival” and the “Sanfest” in 2006. In 2003, Pooja received the Prahalad Bhakta award and went on to capture the Festive Champion title at Pichakaaree in 2005 &amp; 2006.</div>
<div><b>Toolsie Ramdass Singh</b></div>
<div>He was a Pichakaaree finalist for the past 9 years. He hails from #92 Soledad Road in Claxton Bay. He is an electrician by profession and the lead singer of the Savera Soca Chutney Band. He started his musical career at the age of 7, singing at Ramayan Satsanghs with his father. The father of three plays the harmonium as well as the dholak.</div>
<div>He placed first in the Festive category for five years and enjoys singing Festive Pichakaaree. Singing is his hobby. <br />
 </div>
<div><b>Mohip Poonwassie</b></div>
<div>He has been involved in the Pichakaaree artform for the past 14 years. He is a photographer/videographer by profession. He has been the past Pichakaaree Champion for three consecutive years. He hails from Calcutta Road #3 in Mc Bean, Couva. Poonwassie has grown up with the Pichakaaree forum. Today he is a profilic composaer and a powerful and performer the people always want to hear.</div>
<div align="center">LYRICS</div>
<div align="center"><b>Hindi words, phrases, and their translations are in bold print</b></div>
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		<title>HOLI (PHAGWAH) VIDEOs</title>
		<link>http://hinducouncilofthecaribbean.wordpress.com/2008/03/21/holi-phagwah-videos/</link>
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		<pubDate>Fri, 21 Mar 2008 12:01:50 +0000</pubDate>
		<dc:creator>deosaranbisnath</dc:creator>
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		<description><![CDATA[HAPPY HOLI Deosaran Bisnath, Editor International Jahajee Journal  The top list: 1.  Holi Ke Din from Sholay, with the incomparable Hema Malini, and Dharmendra http://youtube.com/watch?v=G87UyGSJGB4 2. Holi khele Raghuveera Awadh mein http://youtube.com/watch?v=XVXE4wvHz3A from Baghbaan, with Amitabh Bachchan, Hema Malini While we are on Baghbaan, why not enjoy a classic, one of the first Bollywood songs with [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=hinducouncilofthecaribbean.wordpress.com&amp;blog=2426476&amp;post=3&amp;subd=hinducouncilofthecaribbean&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<div>HAPPY HOLI</div>
<div>Deosaran Bisnath,</div>
<div>Editor International Jahajee Journal </div>
<div></div>
<div>The top list:</div>
<div></div>
<div><strong>1.  </strong><span><strong>Holi Ke Din<br />
</strong>from <strong>Sholay, with the incomparable Hema Malini, and Dharmendra</strong></span></div>
<div><a href="http://youtube.com/watch?v=G87UyGSJGB4"><font color="#9136ad">http://youtube.com/watch?v=G87UyGSJGB4</font></a></div>
<div><font color="#9136ad"></font></div>
<div><font color="#9136ad"></font></div>
<div><strong>2. <span>Holi khele Raghuveera Awadh mein</span> </strong></div>
<div><a href="http://youtube.com/watch?v=XVXE4wvHz3A"><font color="#9136ad">http://youtube.com/watch?v=XVXE4wvHz3A</font></a></div>
<div>from <span><strong>Baghbaan</strong>, with Amitabh Bachchan, Hema Malini</span></div>
<div><span>While we are on<strong> Baghbaan</strong>, why not enjoy a classic, one of the first Bollywood songs with a pronounced jazzy beat :</span></div>
<div><span><strong>Sonri Teri Chal </strong></span></div>
<div><span><a href="http://youtube.com/watch?v=TJbV3UjICb8"><font color="#9136ad">http://youtube.com/watch?v=TJbV3UjICb8</font></a></span></div>
<div><span><font color="#9136ad"></font></span></div>
<div><span><font color="#9136ad"></font></span></div>
<div><span><strong>3. <span>Rang Barse</span> </strong></span></div>
<div><span>from <strong>Silsila</strong></span></div>
<div><span><strong><a href="http://youtube.com/watch?v=rm17BPGvZSc"><font color="#9136ad">http://youtube.com/watch?v=rm17BPGvZSc</font></a></strong></span></div>
<div><span><strong><font color="#9136ad"></font></strong></span></div>
<div><span><strong><font color="#9136ad"></font></strong></span></div>
<div><span><strong>4.  <span>Award winning Indian ad for a cause- Hostel/Holi</span> </strong></span></div>
<div><span><strong><a href="http://youtube.com/watch?v=nhwIFbB5iuo"><font color="#9136ad">http://youtube.com/watch?v=nhwIFbB5iuo</font></a></strong></span></div>
<div><span><strong><font color="#9136ad"></font></strong></span></div>
<div><font color="#9136ad"><span></span><span></span></font></div>
<div><span><strong>5. <span>Old is Gold &#8211; Holi Clasical &#8220;Navrang&#8221;</span> </strong></span></div>
<div><span><strong><a href="http://youtube.com/watch?v=nf_j9_Hg-hI"><font color="#9136ad">http://youtube.com/watch?v=nf_j9_Hg-hI</font></a></strong></span></div>
<div><span><strong><font color="#9136ad"></font></strong></span></div>
<div><span><font color="#9136ad"></font></span></div>
<div><span><strong>6. <span>Bollywood Holi Mix</span></strong> </span></div>
<div><span><a href="http://youtube.com/watch?v=d0sa4XHlJVA"><font color="#247cd4">http://youtube.com/watch?v=d0sa4XHlJVA</font></a></span></div>
<div><span><font color="#247cd4"></font></span></div>
<div><span><font color="#247cd4"></font></span></div>
<div><span><strong>7. <span>Holi bhojpuri song</span> </strong></span></div>
<div><span><a href="http://youtube.com/watch?v=YzQHt4GArbY"><font color="#9136ad">http://youtube.com/watch?v=YzQHt4GArbY</font></a></span></div>
<div><span><font color="#9136ad"></font></span></div>
<div><span><font color="#9136ad"></font></span></div>
<div><span><strong>8. </strong><span><strong>Holi festival in Omkareshwar, India</strong> </span></span></div>
<div><span><span><a href="http://youtube.com/watch?v=nwnMITnjuog"><font color="#9136ad">http://youtube.com/watch?v=nwnMITnjuog</font></a></span></span></div>
<div><span><span><font color="#9136ad"></font></span></span></div>
<div><span><span><font color="#9136ad"></font></span></span></div>
<div><span><span><strong>9. <span>Mangal Pandey &#8211; Holi Re</span></strong> </span></span></div>
<div><span><span><a href="http://youtube.com/watch?v=63qI1utlMsE"><font color="#9136ad">http://youtube.com/watch?v=63qI1utlMsE</font></a></span></span></div>
<div><span><span><font color="#9136ad"></font></span></span></div>
<div><span><span><font color="#9136ad"></font></span></span></div>
<div><span><span><strong>10. <span>HOLI FESTIVAL 2007 india &#8211; vrindavan</span> </strong></span></span></div>
<div><span><span><a href="http://youtube.com/watch?v=ufln9NdtyHY&amp;feature=related"><font color="#9136ad">http://youtube.com/watch?v=ufln9NdtyHY&amp;feature=related</font></a></span></span></div>
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		<title>The Eternal Sacrifice of God</title>
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		<pubDate>Tue, 01 Jan 2008 21:27:36 +0000</pubDate>
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		<description><![CDATA[The Eternal Sacrifice of God The Prajapati (The Creator), having in the beginning of Creation created mankind, together with sacrifices, said, &#8220;by this shall you prosper; let this be the milch-cow of your desire&#8221;. Bhagavad Gita 3:10 The Eternal Sacrifice of God is indeed one of the most fascinating themes in the mystic lore of [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=hinducouncilofthecaribbean.wordpress.com&amp;blog=2426476&amp;post=1&amp;subd=hinducouncilofthecaribbean&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><strong><font size="3" color="#0000bf">The Eternal Sacrifice of God</font></strong></p>
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<div><font color="#000000" face="arial"><em>The Prajapati (The Creator), having in the beginning of Creation created</em></font></div>
<div><font color="#000000" face="arial"><em>mankind, together with sacrifices, said, &#8220;by this shall you prosper; let</em></font></div>
<div><font color="#000000" face="arial"><em>this be the milch-cow of your desire&#8221;. <strong><font color="#ff0000"><span style="background:none transparent scroll repeat 0 0;cursor:hand;border-bottom:#0066cc 1px dashed;" class="yshortcuts">Bhagavad Gita</span> 3:10</font></strong></em></font></div>
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<div><font color="#000000" face="arial">The Eternal Sacrifice of God is indeed one of the most fascinating themes</font></div>
<div><font color="#000000" face="arial">in the mystic lore of all great religions. The idea that all creation exists</font></div>
<div><font color="#000000" face="arial">only because the Author of that creation has sacrificed Himself is one of </font></div>
<div><font color="#000000" face="arial">the most inspiring concepts of the religious tradition both of the East as</font></div>
<div><font color="#000000" face="arial">well as the West. In Hindu religious thought, this theme is woven around </font></div>
<div><font color="#000000" face="arial">the Sacrifice of Prajapati, the Lord of all creatures. </font></div>
<div></div>
<div><font color="#000000" face="arial">Writing on this subject<strong>,</strong> <em>C. Jinarajadasa</em> says in his essay entitled <em><strong>The </strong></em></font></div>
<div><font color="#000000" face="arial"><em><strong>Eternal Sacrifice </strong></em>of God as follows:</font></div>
<div><font color="#000000" face="arial"><em>&#8220;&#8230; they say in ancient Hindu tradition that Prajapati, the Lord of all </em></font></div>
<div><font color="#000000" face="arial"><em>creatures, before creation began, voluntarily laid himself down on the </em></font></div>
<div><font color="#000000" face="arial"><em>altar to be slain, for it was only by His being so slain that creation </em></font></div>
<div><font color="#000000" face="arial"><em>would become in existence. </em></font></div>
<div><font color="#000000" face="arial"><em>He called upon His elder children, the Great Angels, and He laid Himself</em></font></div>
<div><font color="#000000" face="arial"><em>down upon the altar. According to His command, they dismembered and slew</em></font></div>
<div><font color="#000000" face="arial"><em>Divinity, and by the death of the God, by his martyrdom and sacrifice, </em></font></div>
<div><font color="#000000" face="arial"><em>came the Creation of the universe.</em></font></div>
<div><font color="#000000" face="arial"><em>We are told that it is only because God, in the beginning of time, so died </em></font></div>
<div><font color="#000000" face="arial"><em>to His full and free nature, that you and I have our separate individual </em></font></div>
<div><font color="#000000" face="arial"><em>existences&#8221;.</em></font></div>
<div></div>
<div><font color="#000000" face="arial">In Hindu tradition, man is asked to bring the dismembered pasts of God together</font></div>
<div><font color="#000000" face="arial">and resurrect Him. While in the Christian tradition the resurrection of </font></div>
<div><font color="#000000" face="arial">God is looked upon as a miracle performed by God Himself, in Hinduism the </font></div>
<div><font color="#000000" face="arial">resurrection of God is a miracle to be performed by Man. This is possible </font></div>
<div><font color="#000000" face="arial">only when man engages himself in sacrifices that out of the dismemberment</font></div>
<div><font color="#000000" face="arial">of man, as man, there takes place the miracle of the resurrection of God Himself.</font></div>
<div></div>
<div><font color="#000000" face="arial">The Sacrifice of God is an ever-continuing process:</font></div>
<div><font color="#000000" face="arial"><strong><em>The Eternal, the all permeating, is ever present in sacrifice. </em></strong></font></div>
<div><font face="arial"><strong><em><font color="#ff0000"><span style="cursor:hand;border-bottom:#0066cc 1px dashed;" class="yshortcuts"></span></font></em></strong></font></div>
<div><font color="#000000" face="arial">Since the Eternal is ever present in sacrifice, it is in sacrifice and here alone</font></div>
<div><font color="#000000" face="arial">that one can commune with it. Sacrifice is to engage oneself in Action, an </font></div>
<div><font color="#000000" face="arial">Action to which one is a witness. To be a witness to one&#8217;s own Action &#8211; this </font></div>
<div><font color="#000000" face="arial">verily is the injunction of the Teacher to His disciple. </font></div>
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<div class="post-header-line-1"></div>
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<div><a rel="nofollow" target="_blank" href="http://bp0.blogger.com/_Pjy_iiNvR28/RzZT24PFSzI/AAAAAAAAACA/qn-Wy14yrSY/s1600-h/Ancient+Temples+of+GOVERDHAN.JPG"></a>Sri Krishna, out of compassion for His people and with a view to protecting them, lifts up the mount Govardhana, and balances it on His little finger. Seeing this the cowherds, and companions of Sri Krishna, lift up their sticks so as to help Sri Krishna in keeping aloft the</div>
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<div><strong><em>                             <font color="#0000ff">Mount Govardhana Temples, September 2007</font></em></strong><font color="#0000ff"> </font></div>
<div>mount Govardhana.<a rel="nofollow" target="_blank" href="http://bp0.blogger.com/_Pjy_iiNvR28/RzZT24PFSzI/AAAAAAAAACA/qn-Wy14yrSY/s1600-h/Ancient+Temples+of+GOVERDHAN.JPG"><img border="0" src="http://bp0.blogger.com/_Pjy_iiNvR28/RzZT24PFSzI/AAAAAAAAACA/qn-Wy14yrSY/s320/Ancient+Temples+of+GOVERDHAN.JPG" style="cursor:hand;" /></a> Here we see the merging of the little streams of man&#8217;s sacrifice in the Great Sea of the sacrifice of God Himself. The dismembered Godhead must find His resurrection in man &#8211; and this happens only when man engages himself in sacrifice &#8211; in action that is free from all attachment</div>
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<div><strong><em>As the ignorant act from attachment to action, O Bharata, so should the wise act without attachment. <font color="#ff0000"><span style="cursor:hand;border-bottom:#0066cc 1px dashed;" class="yshortcuts">Bhagavad Gita</span>.</font></em></strong></div>
<div><font color="#000000" face="arial"></font></div>
<div><font color="#000000" face="arial">Very often, sacrifice is understood to be Duty. Surely, where the necessity to </font></div>
<div><font color="#000000" face="arial">act is present there, the action is polluted, by attachment. It is action, free</font></div>
<div><font color="#000000" face="arial">from all necessity, and, therefore spontaneous, which alone can be called </font></div>
<div><font color="#000000" face="arial">action without attachment. But what is this action without attachment? Can there</font></div>
<div><font color="#000000" face="arial">be an action without an actor? If the actor disappears then who is it that acts?</font></div>
<div></div>
<div><font color="#000000" face="arial">These are questions of deep metaphysical import but the answers are simple. He </font></div>
<div><font color="#000000" face="arial">who knows the nature of properties and the modes of their functioning is free from </font></div>
<div><font color="#000000" face="arial">attachment in all that he does. If only man would allow nature to work in a free </font></div>
<div><font color="#000000" face="arial">and unfettered manner he would save himself from many a complexity of life. It </font></div>
<div><font color="#000000" face="arial">is man&#8217;s interference with nature that creates the problem of good and evil. </font></div>
<div></div>
<div><font color="#000000" face="arial">Man comes to the scene of creation with the egoistic notion of being a subduer of Nature. </font></div>
<div><font color="#000000" face="arial">However, man&#8217;s true role is to be a collaborator with Nature. To anticipate the </font></div>
<div><font color="#000000" face="arial">movement of Nature and then to allow Nature to work in a free and unfettered manner</font></div>
<div><font color="#000000" face="arial">along that path &#8211; this truly is the destiny of man. And, this indeed, is </font></div>
<div><font color="#000000" face="arial">non-attachment, the action without attachment. </font></div>
<div></div>
<div><font color="#000000" face="arial">God Himself is under no necessity to act &#8211; and yet He engages Himself in action. </font></div>
<div><font color="#000000" face="arial">This is indeed the Great Sacrifice of the Supreme for the sustenance of the </font></div>
<div><font color="#000000" face="arial">world. The whole world would perish if the Creator were to bring an end His </font></div>
<div><font color="#000000" face="arial">Great Sacrifice. </font></div>
<div></div>
<div><font color="#000000" face="arial">It is said that God created Man in His own image. If this be so then man too must</font></div>
<div><font color="#000000" face="arial">act in His own image. If this be so then man too must act in the likeness of His</font></div>
<div><font color="#000000" face="arial">Creator. Man can indeed be a collaborator of God &#8211; but for this he must link up </font></div>
<div><font color="#000000" face="arial">his sacrifice with the Great Sacrifice of God Himself. Man must collaborate with </font></div>
<div><font color="#000000"><font face="arial">Him in the sustenance of the world.</font><strong> </strong></font></div>
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<div><font color="#000000">Deosaran Bisnath, </font></div>
<div>Editor, <em>International Jahajee Journal.</em></div>
<div><font color="#000000">Moderator, <em>Caribbean Hindus Network</em>. </font></div>
<div><font color="#000000">President, <em>Hindu Council of the Caribbean</em></font></div>
<div><a rel="nofollow" target="_blank" href="http://us.f542.mail.yahoo.com/ym/Compose?To=deobisnath@yahoo.com"><font color="#003399">deobisnath@yahoo. com</font></a></div>
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